Reviews by fernando

Cukor's women, 20 years before, were far better. Miller is a good director, Allyson gives a conventional touch to everything, even in her musical numbers. Collins is mature, Dolores Gray is better than the others.

I can forgive June Allyson miscasting because is a recurrence in Sirk to have older stars in the central feminine protagonism (Wyman was first aned even Lana Turner); there are some delicate details and the importance of seeing each other behind the scenes (and Marianne Cook reflected in the piano, a delicate image that´s going to be torn in pieces)

Stop Krstic, too much visual quotes, and info¡ Would to see quietly all the references listed in the final credits. Besides that pile of borrowed styles, the film has its own and its nice, a psicologist that loves a woman and other patients that help him so steal art, inside a dream and...

Western brother, more specific half brother stuff, always function when there´s a woman (Joanne Dru) between. But here, lacks some passions and sincerity, the screenplay doesn't have people telling trues but swallowing them...

Ritt beginning to embrace every big social drama, including etnic things relative unknown to him. Italian inmigrants and thier crush for love and money, mental illness forced into that, mature Sophia...

So preciatable weak Scola, but it has, in perfect shape, the evocative roman momentos (thepassionate music reacher, the romance in the street, the small familiar neighborhood details)

The father is a weak alibi, to explore the relationship of rivalry and affection between bro and sis, focusing on Linney's decadence...

Good cast, appaently small but interesting deviations form the original, Benning bitchy and moving, love affaiar between Trigonin an Saoirse is subtle, Dennehy ok, Masha wonderful drunken and suffering unrequitted love...

Good cast, appaently small but interesting deviations form the original, Benning bitchy and moving, love affaiar between Trigonin an Saoirse is subtle, Dennehy ok, Masha wonderful drunken and suffering unrequitted love...

Popular corn movie, powerful human/animal epic, Lassie crossing the river, in pathways with Edmund Gwenn, in silent understanding with May Whitty, being in spite of everything, accompanied by the people, at 4pm waiting for Roddy