“(OK) Too stupid plot, gagless, but the futuristic musical fantasy s funny. El Brendel is a lousy comedian.” read more

“(OK) Law on film, good stories around a jury around a big case. No surpirses, an ambiguos right ending. The sotry of middle aged Valentine Tessier and young Auclair is excellent as Noel Roquevert.” read more

“(OK) Rare story, the green horse is just rhe beignning to set the story of men and women and their natural miseries. Irreverent but not grandilocuent. Bourvil is excellent when his mother is raped above him (he's hidden under the bed)...” read more

“(OK) Moralist. grnaidlocuent en scope and theme, and correpondances (Steiger kills Meeker with the same bullet he hurted him in the beginning) but not in direction and acting.” read more

“(OK) First preserved Ozu. Just for the shenanigans and frustrated romance in the snow, and the ambivalence of the extroverted character....Ozu's is slowly making his way and style” read more

“(OK) So attached to science and respectfull of its characters, that ir more moving than expected. Big effort to get inside minf and simbolism of schizofrenia...” read more

“(OK) This is after Pandora's Box, but could be a kind of prequel. The melodrama well extended in time and places, each a world itself, produces a careless lost girl next tu lulu...” read more

“(OK) Pabst's and Brooks's Lulu is an anticipation, the flapper meet the femme noir and the 60s heroine. Men are poor thing around her, even his father ans his husbands, Some scenes are so well mounted is space and tension...” read more

“(OK) Rare theme for such an adult director a Nichols and a star as Scott. That gives the roccedings a dimensuon that in other hands would remain a small thriller with speaking dolphins...” read more

“(OK) Te couer of french humour learned form Hollywood and from its own little village heaven. The postman is the soul of it all and the idea, no subligned, fo making him see the documentary of postmen in USA, makes wonders...moving” read more

“(OK) The first great Eastwood, all his past and future themes are here, with humour and bitterness when it has to be. He's fatherly with Sam Bottoms, but friendl or even guided by Chief Dan George. In the end, he establishes a civilization in the canyon, plural and harmoniuos and wants to die for it” read more

“(OK) The play inside the film has the entire charm of W.C, it even forces him to show his craftmanship as circus man. The duel with Baby LeRoy at dinner and all his ridicule apperances as a great actor, are so consistent...” read more

“(OK) As moral a western as some from Anthony Mann or "Bad day at Black Rock". ;ahoney put thw little village upside down in an unpretentious way...” read more

“(OK) Bergman repeats her Joan's passion exercised for Victor Fleming before, but for a such different mise a scene, that words weigh more than gestures. Carminati is all the chorus, the other ones are accesories...” read more

“(OK) Clement in perfect almost suspicious equilibrium. It's enough adult and irreverent and absurd too avoid the children menace. Fossey ir irresistible, and a bit perverse too...” read more

“(OK) Funny, american silent comedy spirit, with socialist lottery ('state obligation' is called here) int the plot...” read more

“(OK) Lourcelles recommendation. Anticipation to Hollywood real time dramas, Aumont, in a brief escape from his patrol, rebuild hos romance and family life...suspense, and good acting by mother Berthe Bovy...” read more

“(OK) Has everything a good Hollywood film (more than a western) could have, acting by stars in formation (Power as gorgeous as Fonda), alternated action and delicate intimate parts (Nancy Kelly in childbirth decidind to quit Jesse), the compulsive editor Henry Hull in a Thomas Mitchell/fordian part.” read more

“(OK) Strange almost episodic (the prison of diverse characters, the sabotage act, the nazis asking for takinf hostages, the liberation planned from England)ressistance film, not so focused on organized heroism, but in facts and characters, as the coward andt the 'demissionaries'...” read more

“(OK) The first Carné is everything Carné, sauf a narrative disorder. Rosay is wonderful even in the end when isntead os a typical sucide, there´s an ironic remark about 'Jenny', the happy place...Barrault as Dromedaire amuses a lot” read more

“(OK) Grat, each situation, perfectly mounted in a character film with social echo, is so rich: the hommage to the old communist, the wedding that has to be moved form the building, the heroine censoring something that is already approved...a tender ridicule for this disciplined obsessive woman who l” read more

“(OK) Romantic saga, most for the theme scope (college, politica, war, media, Hollywood, maccarthism) than time and secondary characters. Delicate, sincere, unsolved...” read more

“(OK) In a way is a common peplum, but Harryhausen makes a feast with the stone colossus and most of all with the eagle men; and seen from the clouds and the olympus, there´s another dimension..” read more

“(OK) The extended version is historical enough, not to lose the glorious battle, the defetat and the agonic new triunphant attack. Bergman is always convincing most of all when she prays. Ferrer in a prick by noir standards” read more

“(OK) Glorious technicolor un the sand carpet. Silent films ans "Morocco" and french legionnaires films, established already the romantic desert” read more

“(OK) The silent Ozu was all he wasn't with dialogues: light hearted, camera moving, funny, a bit romantic, even gesticulting...” read more

“(OK) Ichikawa anticipates "Look who's talking", but no so light, there's comments on modern society,60s fashion...” read more