“Boorman has an anarchic revolution in one block in London by an irresponsible decadent voyeur. Not bad Vladek Sheybal as Laszlo.” read more

“Roselini serene and matura, telling us the extreme spoiled sense of love of pricness Vanina, and sense of pertenence to a cause by Terzieff.” read more

“Lattuada lready a strong force in italian cienma, depicting class struggle and mill men individuality in the middle of social and phisical storm.” read more

“For Melville was not an easy task to deal with Leon Morin, pretre; for Boukhrief is even more difficult, because, not much happens emotionally, but philosophically in the war background...” read more

“Nice with elegant touches, repressing comic tics by Niven and Sordi, in benefit of undestated signals between them” read more

“De Sica's Antonioni (or Lelouch) side. Dunaway matches convincingly with Marcello (well, they became real lovers here) in Cortina” read more

“America pazza, mad America, Mastroianni is an stupid italian ex pugilist, wondering through marginal characters in Chicago. Hutton stamps many times with him, as the fascist homeless with a bomb, the old prostitute with the adolescent afro igrl, the gay...” read more

“Great Risi, Deweare is victim of both Tognazzi and Muti. Toganazzi in one of his bests, crying in silence of joy and pity, when sees naked women. Excelletn when goes erotic over two girls in the villa.” read more

“A day at a roman court, with some superficial sketches where women's guilt (and Chiari's priest) is relative even for implacable judge Peppino. Loren is already star illumintes, his fall bending her long legs is wonderful.” read more

“How great is Tognazzi, uomo ridicolo as in Bertolucci's opus, against sublime and in the same time, so tender and impossible Ornella. Policeman Placido's lust for her is so credible.” read more

“Not too funny neither good gags, but Toto and Fabrizi have excellent counterpoint performances. De Funes is secondary in every sense.” read more

“Sublime, sick, extreme, obvious in the form but not in the themes -well, it would be so difficult- of desiring the adopted daughter and loving the tragic son” read more

“Gallone loves opera, thats a fact, and knows how to tell quick and corny some of thier stories, including people revolting and singing Verdi's arias in fornt of him, or Mastroianni with Presle (she's ok), Rossini's womnaly affairs, Bellini wasted by a love, Ferzetti (Puccini) falling for Danielle De” read more

“Nowadays it's so difficult to tell this kind of stories, too worried about what everybody would think and not just telling it, being comprehensive with the fact that a child has to act in it...” read more

“Philosophy atthe edge of dying in good health and at ease woth town and friends,bu family.There´s no family over Dean Stantos, that's why he is so sharp ahn philosophical, compared and side to side woth Lync and his tortoise, a mexican woman and his family for whom he sings Volver...” read more

“Nos stop war and violence but difficulties to establish characters. Koscina is pretty but corny, Nero and Kruger asks more than the script gives them. Orosn is wasted.” read more

“El desenfado imposible de reeditar. Bendita nostalgia d euna vanguardia. Qué bien le venína las influencias no hollywoodenses, sino el comic y el propio destape, y los boleros, al buen Pedro” read more

“I like sense of territory, a city, working class suburbs, rural areas, all moved by war and partisan resistance. In his kind of war anybody, as Gina, could be deeply involved” read more

“Uneasy to suffer, ok it's daring to make a musical about Jeanne D'Arc but. ¿everything on tha same spot'? Tha farse is simplist” read more

“Gegauff takes Chabrol in a tripp to his monster sophisticated genre condition. The imposible emancipation of Daniéle is quite silent and impressive...” read more

“La degradación del autor profundo, que se enreda en su investigación, ni siquiera en su creación, con toques esperpénticos (me gusta la casera gorda)...” read more

“One of the best de Oliveira's. A country's essence and history and traumas and syndroms, and the unavoidable idea of war, so well expressed...” read more

“Granier Deferre knows that Gabin is enough in the house and the space, rest of characters are weak. His presence is colossal” read more

“Wajda maintains the rythm, the despair, the nihilism; the war reaches a basement phase here and has strong images” read more