“I can forgive June Allyson miscasting because is a recurrence in Sirk to have older stars in the central feminine protagonism (Wyman was first aned even Lana Turner); there are some delicate details and the importance of seeing each other behind the scenes (and Marianne Cook reflected in the piano, ” read more

“Stop Krstic, too much visual quotes, and info¡ Would to see quietly all the references listed in the final credits. Besides that pile of borrowed styles, the film has its own and its nice, a psicologist that loves a woman and other patients that help him so steal art, inside a dream and...” read more

“Western brother, more specific half brother stuff, always function when there´s a woman (Joanne Dru) between. But here, lacks some passions and sincerity, the screenplay doesn't have people telling trues but swallowing them...” read more

“Ritt beginning to embrace every big social drama, including etnic things relative unknown to him. Italian inmigrants and thier crush for love and money, mental illness forced into that, mature Sophia...” read more

“So preciatable weak Scola, but it has, in perfect shape, the evocative roman momentos (thepassionate music reacher, the romance in the street, the small familiar neighborhood details)” read more

“The father is a weak alibi, to explore the relationship of rivalry and affection between bro and sis, focusing on Linney's decadence...” read more

“Good cast, appaently small but interesting deviations form the original, Benning bitchy and moving, love affaiar between Trigonin an Saoirse is subtle, Dennehy ok, Masha wonderful drunken and suffering unrequitted love...” read more

“Good cast, appaently small but interesting deviations form the original, Benning bitchy and moving, love affaiar between Trigonin an Saoirse is subtle, Dennehy ok, Masha wonderful drunken and suffering unrequitted love...” read more

“Popular corn movie, powerful human/animal epic, Lassie crossing the river, in pathways with Edmund Gwenn, in silent understanding with May Whitty, being in spite of everything, accompanied by the people, at 4pm waiting for Roddy” read more

“The nouvelle vague hated this in spite of jazz and Thelonius Monk, and edition effects. But there's a creative adpatation to the snowy landscape, and hotell and lobbis in a sky resort, until everything precipitates to the previsibel end. Annette is so pretty, Trintignant ok and Moreau with half bur” read more

“Verneuil at his best, great cast and enough production to make you feel in an international spy complot. Brynner is the best of all, but Lisi bright in her small part” read more

“Kerr, blind and romantic, is the light of this half noirish half far east adventure in wihc Ladd used to be involved. The indian aspects are horrible, but here´s some simpel criticism of colinialism” read more

“Precious plot that could be vanguardist of identity in the global era, but was in the wave of criticizing the massification and dehumanization of TV and marketing. Anyway, Judy Holliday is an excpecional, marilynesque Cukor invention” read more

“In the Shane way, Ladd comes for truouble and gets more helping single Olivia and trying to heal his mute child. The melodrama referencies pushes to a conventional happy ending, but there´s some ranch life and sunsets...” read more

“Better than expected, episodic, with plenty of time in home and on earth, good beginning with kids in the submarine and a suspended love/parenthood affair between Wayne and Neal, more important than war and pride...” read more

“Just two or three momentos in wich Borzage reminds us he is the director of sublime love stories: Li Hua Li embracing Mature ill in his bed; Mature looking ih his jeep for her; the bombs against a lover, the corpse of his wife and a crying baby...” read more

“The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style” read more

“The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style” read more

“The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style” read more

“Ozon is a middle interest filmaker, as here, double or nothing, superficial thriller, a bit troublant, thanks Bisset is there...” read more

“Ay Pedro, para sus adentros pero transparente para afuera, la idea de la adicción y la soledad, en estructura de espejo, sin formalismo, sin artilugios, solo algunas licencias narrativas. El hombre viejo es eso, dolor y gloria.” read more

“Sebastian del Amo es malo, malo, hasta el ridículo capitaneado por Bárbara Mori como chinita puta buena, pero es ágil y muy bien producido. Damián Alcázar le da dignidad a su papel, Chabelo, Sosa y Derbez puaj.” read more

“A bit corny, Eleanor is too clever, Colette is even more clever, they are never wrong, hospitals are too bad,mmmhhh, language in the court is too technical” read more

“In the tradition of Pialat and Dumont, but more sentimental and 'a la fois' religious. There´s even a discreet miracle when tha protagonist is saved in the mountain.” read more

“Bonita imagen y locaciones, Bardot haciendo sus oportunos y dramáticos strips, Vadim desarrollando un estilo; el plot es lo de menos...” read more

“Grieve, boring melodrama, with a vague plot of husband that comes from death, abstract abnegation, old values on men who naturally love war, plastic surgery that chanes all and nothing...” read more