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“(MU) Maybe Cannes was too generous ith her, but this romanic comedy is not too little, with court backgorund (a sensitive dog in trial reminds Asta in Leo McCrey's classic), and finding true love in the end...” read more

“(MU) Bodies explores, exposed, deteriorating, sick, in hispitals and asylums, flesh and mind, that´s all, no comments more than he anatomy seminak book of Vesalio...” read more

“(MU) Too effective but the hiper conscious vindictive symbolic Elliott Page character is too much. No place to errors, to hazard, to twists....” read more

“(MU) Jame Campion short debut is just a small part of "Sweetie", with an indisciplined boy, reckless parents and indifferent milieu.....” read more

“(MU) The close up of an ambiguous girl/boy identity after a one take forest landscape, has enough force and mistery...” read more

“(MU) Excellent framing, thorugh a monument and a dialogue bwteen a burocrat and a curator, og legacy and history and contradictions in rumanian identity...” read more

“(MU) Antiepic, but acumulative, fluid account of Tiradentes coming of braislian consciousness, after suffering discrimination, seeing a quilombo, wasting his life looking for gold and reading independentist books....there it ends, with no independentist action, but an intorductory voice in off expla” read more

“(MU) Intimate account, through sis and bros and family firends of the suicide of Camilo in 1968, Marco Bellochio's twin brothers. A serene, sincere, exorcism of an old trauma and guilt...” read more

“( MU) La lucha libre es interesante porque sí, no porque el director e adentre o comprometa con ella. El pase de una generación a otra es frío como la dirección documental y todo lo demás....” read more

“(MU) Stylized in various layers, musucially, linguisticallu, historically, symbolically. The killer os the converted hero, the cangaceiro is the faded hero, the saint woman is the symbol of anything, the city and institutions are just there in the background. the intuitive choreographies, the archet” read more

“(OK) Czech wonderful wave. Here Kachyna mocks on power, on naiveté of the survivals, wth a tuch of whta seem reduction to absurd, but there are the real ears. Toxic realtion man and wife is more than a bonus...” read more

“(OK) Aldrich's swansong wih excellent secuences of action in the ring choking with gender and genre. These girls are real tough. Even this a stor of winners there¿s a specal sadness in it...” read more

“(MU) Mysius adds her little 'odor touch' multiverse to this little city mountain drama interracial queer intergenerational...nice suspenseful direction...” read more

“(MU) Not too dirty greek realism, opposite to its new wave, with a too shy woman, that makes uneasy to believe her behavious in some scenes...” read more

“(MU) Great composition and set design, and great work of Elio Germano in front of the empty canvases, normalizing his psychopaties and victimization; all that overcomes its narrative flaws” read more

“(OK) When Bertolucci maybe was affected by other authors tendencies, but made them own. Brogi is fascinated by his father's character and Alida Valli is so mysterious and sexy and unpredictable....(lousy copy, can't appreciate Storaro's wonderful natural light as in the fist time I saw it)...” read more

“(OK) Western comedy from Aldrich, but also Gene Wilder coming of wisdom to America, from coast to coast, robbers, indians and whatever. Ford's character has a forced relation wiht Wilder, is the corny stuff...” read more

“(MU) Jarmusch in light simple taxi sketches, the Los Angeles one woth Gena and Winona is light, ok; the NY with esposito, Mueller and Rosie Perez is better mixing cultures and characters, go deeper; the Paris one is a bit pahetic; the Rome one has Benigni in a round tragicomic sketch reminiscent of” read more

“(MU) Nice not so ambitious opera prima, nostalgic of a disfunctional family, with new bonds, or precarious bonds looking better than they are to the boys, a denial of the usual fatalist coming of age films...” read more

“(OK) The huge director's cut has no waste. Even the interview of the man cleaning the sewers is great or the boys calling therir families in booth, the liberation of an accidental moving city in a disaster area; and, the excellence of many numbers knowing they are history:Cocker, Baez, the first one” read more

“(OK) De Antonio has the right interview for his camera, or the right archive image, tu establish a point of a not solved problem; its an almost acadmeic approahc but in an unamerican anti belicist left wing side....” read more

“(MU) Good rescur of a not so simple film, tha in soft key exposes the identity traume a a misplaced man, coming from France and not coping with womne liberation, cultural melange and other things...” read more

“(OK) Lesser Sidney, lesser argument, could be a modest Disnye films for boys reunitirn a widow mom with Gig Young and ballooning over the skies....” read more

“(OK) Aldrich has no traumas in exposing the cops in all their misery and humanity. The racist one causes all tragedies and is condecorated, the homofobia and fobia to sexy body masochism is so big that makes Perry King takes his life, Durning is as moving as Geroge C Scott in The new centurions (its” read more