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“(OK) Constance Bennett is as great as garbo or Tallulah or Shearer with Cukor. Here is amusisng, vital, sad, changing radically of tones inside a secuence. An apparent fantasy with ballons, and clowning with drunken Jobyna, are bonus...” read more
“(MU) Aronovsky not so excessive in spite of the theme (a yong woman is dying and she writes on ancient meanings of life and so on)m of travel to futrure and past; but somehow he is monochord in its style...” read more
“(OK) Surprise, an adult musical on childs background, noir touches, so imaginative that yo forgive its predictability. Wilder is elegant and excellent,the boys and girls are functional...” read more
have watched
5/10
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7/10
have watched
8/10
have watched
7/10
have watched
7/10
“(MU) Great Leigh, there are good people in earth and in 1950 London as Vera and her family and even the police who caputres her, trying to undestand why she 'helps girls out' (abort) for nothing...” read more
“(OK) Cukor gaining confidence in himself as excellent director of actors. Burke is delicate, Barrymore is as exhuberant as his role permits, Hepburn is learning everything, includind delciaming melodramatic lines. The story has aged...” read more
“(MU) Better than the first view; more structured than it seemed even with too mane characters, but stands the romantic couple and the bustcher and the handsome neighbour, Funny scenes and comic compositions...” read more
“(OK) Id very good, Ophuls has the witnesses,the personalities (Anthony Eden, Pierre Mendes...), the right and left and hipocrites and sincere people, proving that there´s no black and white heroism in war...” read more
“(MU) MMhhh, Cronenberg exploring his themes and budget (he makes everything, soundless, no dialogues, but voice in off), there's the idea of new organs (reused in the next "Crimes of the future"), the foot fetichism, some shy homoerotism nd more...” read more
have watched
9/10
have watched
7/10
have watched
7/10
have watched
8/10
“(OK) Glory to Makaveyev mote than radical blablabla Reich. The sensualizations and parody of communism and yugolavian personal way, with american dream stuff is funny, and sexy” read more
“(MU) El cast no convence, pero la historia, las locaciones, el final realista, la evasión feliz de la realidad por unos días, la difícil fluidez de todo, sí convence...” read more
“(OK) Second Cukor solo is a women's film with a good exposition, and them two oposed ways and characters: practical amoral funny Tashman and romantic not too credible Francis conquering Joel McCrea....Pallette always funny” read more
“(MU) Underrated Lowery was a complete filmmaker, yuxtaposing times and point of views in this romantic melodrama that begins in a Ray/Malick tone...” read more
“(MU) Seen 40 years ago, I missed the esential: inventory, gallery, fantasmagoria from slow pace to paroxism, of a zombi generation, lulled by Bowie himself. Some aged scandal on sex, but make up, real locations, extras are more than ok...” read more
have watched
8/10
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6/10
have watched
6/10
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7/10
“(OK) I liked it pretty much than the 1rst view. Wanda has excellent lines and moments, in which non guilt, marginality, attraction to loser Mr Dennis (lovable character that humanizes and revitalizes Wanda while he is his last chance) merges wiht naiveté...The conversartion near the car, with beers” read more
“(MU) The best Lyne and the least commercial. Good complot plot, the violenece drug in Vietnam; and good motif for excellent nightmares....Robbins normalizes everytyhing...” read more
“(OK) First Cukor solo, Tallulah with good lines, plot point love (falling for the rejected guy, as Kay Francis in previous "Virtuos sin")...” read more
“(OK) Argento found all done by Hollywood, by Bava and 'giallo' films; but made a nice new package of it, with details pushing for twists and plot points...” read more
“(MU) Rápidamente, con material de archivo personal, una época, una condición, nostalgia y pena gay/trans...” read more
have watched
8/10
have watched
7/10
have watched
7/10
have watched
7/10
“(OK) The real royal debut of Cukor with the greatness and miseries and joys and excesses of a theatrical family. The matron Henrietta Crossman has good scenes but daughter Ina Claire has the best lines (¿am I crocheting? asks scandalized og her boredom)...” read more
“(MU) 3 stars just because there's an excelent photgraphy with textures and background abstractions.” read more
“(MU) Jarmusch's masterpiece, a wetern oda that trascends the genre and goes to the roots, moving west with european naiveté, finding native american naiveté ('Nobody' thonks Depp's William Brake is the real Blake) and vising the first indian wonderfull simple city I know” read more
