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“(BLU) The wit, the humour, the charm, tha language of Ford's dearest Ireland in 3 stories. The first is humour and honour, great Purcell and Cusack. The second is a happy broth a Ireland humor, and even clicés in a one minute stop of a train, well many one minutes...The 3rd is a serioius drama with” read more

“(MU) Cornucpia if rich images of women deliruin of power and sex, in surrealist clues with live action and animation incrustations...I prefer "Attenberg"...” read more

“(BLU) May wasn't lucky in movies; as they say she was with Mike Nichols in the stand up comedy. Interestng characters but doesn'r add too much for gags or even romantic scenes...” read more

“(BLU) One ot the simplest but richest Woody Allen´s. Great and expansive plot, narrated in fast pace (it contains the "I soliti ignoti" plot but then deviates), great lines and acting by Tracey Ullman (she beats Woody as only Keaton knew)...and Elaine May” read more

“(PA) Zeller exploit his "Father" hot but its not the process of downfall, here is a dry monochord non explained depression. Similar in theme but exploring the trio and sex is the scandinavian "Queen of hearts"...” read more

“(MU) If you thought "Dogville" was enough, ant the naked style of minimalist theatrical sets was ok for another film with another theme, there you have Grace involving in other shithoe, where confussions and fatalims ruins everything. Here is Grace´s lecturing a slavist farm in democracy....” read more

“(PA) Nice character Nan Goldin, frank and activist, lost in themes for moments (doccumented bipic with photos, activist film, but here´s just the protagonist ans her circle, and a look on convulse times from a survivor....and the Sackler prestige going to pieces...” read more

“(PA) Edifying, not bright even inthe epiphany of Leslie quitting alcohol nd funding an Ince Cream Story, but is worth stars because of great Andrea....” read more

“(PA) More personality onf director than theme. A not trendy look on birds and pollution, because Sen looks it as a new enchanted form of life, in spite of the brigtest of the brothers describing their affair as a 'little band aid'...” read more

“(PA) Drama with no more bright than the light of the cinema. Colman and his fragility and his exteme appearances (the happening in the premiere, her waiting to be draught to mental hospital) ...” read more

“(PA) Hermanus just changed Tokyo for London, he respected the time. So, there's a 'bartlebyan' poetics of beaurocratic time ('no harm' say the bosses when put a file onf the tower of papers) that could have another pace and resources today. Maybe there's no too weight put in the old man life and dea” read more

“(MU) De Sica has all, a derivative almost long introduction, but good condensation, with bittersweet and even epic touches in the scholl/covent where the garibaldian count, the funny guardsman and Maria Mercader fight agonically while Carla del Poggio brings the garibaldians...” read more

“(MU) This is better than Lanthimos greek films¡ Just the alternate playful steps f the gils are great. Everything is touched by playful or even bitter or stressed learning: sex verbalized, work as a chauffeur, fatherhood, taboos...” read more

“(MU) Sorpresa boliviana de Diego Moncada, historia casi minimalista como el paisaje con arena y arbustos secos del chaco, sin maravillas, con gente que no se entiende pero muere junta, un líder extranjero que jamás departe con su gente, un terrible casi de sumisión e injusticia (la muerte de Jaci” read more

“(MU) Too long ; but not too reiterative because that's the idea that life also transcurs in the cotidianeity of personal transport, half of it with a young friend with other aspirations, talking big themes -life, a stranged mother, life- and one only alternative point of view, a drone over the plain” read more

“(PA) Happy collaboration between protagonist and director, sad story. Navalny is a hero/loser against Putin´s walls. The develation of the 'novishok' pison stuff is a must...” read more

“(MU) 50s rebel leather stylization, sexual social confusion, devouring characters. a fine, stylish thematical coherent not so little film” read more

“(OK) El "Wiñaypacha" boliviano; pero no es la obra extrema, minimalista por naturaleza, del trágico puneño Catacora que no persigue comentarios sociales sino humanos o espirituales si quieren; aquí Alejandro Loayza sí despliega, en gran paisaje, con balanceada economía estética de medios, en ” read more

“(OK) As a warning, in the credits says this a product of femminist imagination, and that doesn't mean the obvious (that it's fiction); but that characters are product of academic thought more than the situation narrated. Their doalogues, for being illetrated victimized women are impossible to match ” read more

“(MU) In the first half yu thing, for moments, you've found the lost Arronofky's of "The wrestler" and "Requiem for a dream"; but disipated the extreme and good work on Franser´s obesity the theatricals of screenplay and unpredictable burning characters, bah” read more

“(MU) The absurd and wonders of extreme tourims aking a young couple with a georgian guide through the caucasian wilderness of Georgia. Any incident could question everything, and there´s just one in this minimalist film without touristic wonders...one of the the absurds, why Georgia?” read more

“(MU) Various independent sketches, of encounters with cofee and cigarrettes; tongue in cheek aproximation to real ridiculus extraordinary characters (the Alfred Molina, Steve Coogan sketch is the best), somo other wasted as the sisters played by Cate Blanchett. Tom Waits and Iggy Popp amuses themsel” read more

“(MU) So terrible that boy, the realist oght iluminatios, shadows everything; too many loose ends, nothing assures he could be a leader because he doesn't assimlate his extraordinary surroundigns” read more

“(MU) Demme, Shawn and Grggoy (as producer) manege, and amuses themselves amazingly with an Ibsen´s text. You feel it, you understand the so humnn weakness and naif scheming f the charactters...” read more