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“(MU) Just to organize and celebrate Buster filomography, biography, ideas and some rare clips from shorts and pubiicity and appearances in his last years...” read more
“(OK) The Rolling's had thick skin to go through thier personal insane gratuitous Woodstock (the Altamont concert) and them, through this documentary...” read more
“(MU) Underrated non Hollywood non Del Toro fantasy, 3 great stories, melodrama with fantastic touches (the giant bug, the twins, the ugly husband), Garrone hisees any arty asporation behind the action...nice cast...moving non gore bloody woman....” read more
“(OK) Great first part, with the elegant retroted Fox; then in Jagger's pit is more counterculture stuff with psicodelia and sex; but Fox is still a greta character and actor all over...” read more
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have watched
6/10
“(MU) Bodies explores, exposed, deteriorating, sick, in hispitals and asylums, flesh and mind, that´s all, no comments more than he anatomy seminak book of Vesalio...” read more
“(MU) Too effective but the hiper conscious vindictive symbolic Elliott Page character is too much. No place to errors, to hazard, to twists....” read more
have watched
6/10
have watched
6/10
6/10
“(MU) Jame Campion short debut is just a small part of "Sweetie", with an indisciplined boy, reckless parents and indifferent milieu.....” read more
“(MU) Excellent framing, thorugh a monument and a dialogue bwteen a burocrat and a curator, og legacy and history and contradictions in rumanian identity...” read more
“(MU) Antiepic, but acumulative, fluid account of Tiradentes coming of braislian consciousness, after suffering discrimination, seeing a quilombo, wasting his life looking for gold and reading independentist books....there it ends, with no independentist action, but an intorductory voice in off expla” read more
“(MU) Intimate account, through sis and bros and family firends of the suicide of Camilo in 1968, Marco Bellochio's twin brothers. A serene, sincere, exorcism of an old trauma and guilt...” read more
have watched
6/10
have watched
6/10
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6/10
“( MU) La lucha libre es interesante porque sí, no porque el director e adentre o comprometa con ella. El pase de una generación a otra es frío como la dirección documental y todo lo demás....” read more
“(MU) Stylized in various layers, musucially, linguisticallu, historically, symbolically. The killer os the converted hero, the cangaceiro is the faded hero, the saint woman is the symbol of anything, the city and institutions are just there in the background. the intuitive choreographies, the archet” read more
“(OK) Aldrich's swansong wih excellent secuences of action in the ring choking with gender and genre. These girls are real tough. Even this a stor of winners there¿s a specal sadness in it...” read more
“(MU) Mysius adds her little 'odor touch' multiverse to this little city mountain drama interracial queer intergenerational...nice suspenseful direction...” read more
“(MU) Great composition and set design, and great work of Elio Germano in front of the empty canvases, normalizing his psychopaties and victimization; all that overcomes its narrative flaws” read more
“(OK) When Bertolucci maybe was affected by other authors tendencies, but made them own. Brogi is fascinated by his father's character and Alida Valli is so mysterious and sexy and unpredictable....(lousy copy, can't appreciate Storaro's wonderful natural light as in the fist time I saw it)...” read more
“(OK) Western comedy from Aldrich, but also Gene Wilder coming of wisdom to America, from coast to coast, robbers, indians and whatever. Ford's character has a forced relation wiht Wilder, is the corny stuff...” read more
have watched
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6/10
“(MU) Jarmusch in light simple taxi sketches, the Los Angeles one woth Gena and Winona is light, ok; the NY with esposito, Mueller and Rosie Perez is better mixing cultures and characters, go deeper; the Paris one is a bit pahetic; the Rome one has Benigni in a round tragicomic sketch reminiscent of” read more
“(MU) Nice not so ambitious opera prima, nostalgic of a disfunctional family, with new bonds, or precarious bonds looking better than they are to the boys, a denial of the usual fatalist coming of age films...” read more