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“(MU) There's a story, loosely connected, a girl looks for a man who worked in the missing skywalk, the guy is lookin for war in cheap porn movies...” read more
“(MU) Rare, exprimental, audacious (no texts, difficult story), the desire of depict madness formally exceeds the storytelling...” read more
“(OK) Dwan in Republic loved this kind of materIal: a world in a small town, as in "Angel in exile" and "The inside story", love, life, death and a miracle. The catalyst here is a small girl (Natalie Wood, so tender is troubling in her introduction) bout also Dean Jagger... pretty film” read more
have watched
7/10
have watched
6/10
have watched
6/10
have watched
6/10
have watched
7/10
“(MU) Tanner so interesting ideas more than stories, states of suol, limits, borders. Here is the epitome of all that, no man's land between Switzerland and France, good and evil, love and escape” read more
“(OK) Deep costumbrism that goes berserk, to bizarre moments as the beauty contest and the fire and the hommage to the veteran. Being so intense and short, has great contemplative moments” read more
“(MU) A bit obscure, two or three lines of time, but great character devastated by a lie and a suspicion and a fatal attraction...” read more
have watched
7/10
have watched
8/10
7/10
“(OK) 30 years after 'Snow white' and there's the same Disney style, with more music and songs, study of animated characters. The 'bear necessity' number has its charm” read more
“(OK) Splendid short sequence shots, a coreography of death in elegant skirmishes (no combats), bare chest men and brave nude nurses, the pretty chaos of deadly war...” read more
“(MU) Good ballet (specially Otello mad dance, better than Maya Plisetskaia in Giselle), race action in the snow, logs in a river (love that part); but here´s no charaters no chance to depict a system of life....” read more
“(MU) Cierto problema de ritmo, pero buena historia de machos idiotas y mujeres sutilmente subversivas, sexo apagado, revanchas generacionales, cierta anarquía pueblerina, intimismo sucio...” read more
“(OK) The Metro lions amuses with its stars. Greer is prettier than ever and Pidgeon plays happly with her, as arobat Romero and evil mother in law Lucile Watson. Lawford is a mature boy for incipient Liz...” read more
“(OK) Saw a lousy copy, lost details, but there it is the corpse falig and the woman calling the police, the only bity of drama and action in the soft zoom in a window ou of conex and time. Experimentation with soundtrack is more radical than image....” read more
have watched
7/10
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8/10
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5/10
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6/10
have watched
6/10
“(MU) So bad , so funny (I'm tired of bloody maries says one of the vampire hookers while we see a man having a tranfusion), Pavo the dirty valet unabel to become a vampire, smelling his farts; Carradine reciting Shakespeare who was a vampire...” read more
“(OK) Confused beginning as Lee Marvin awakens from death, the deja vu seems as rememebers from previous life; the existential dimension (which is my last name? asks Angie Dickinson to Marvin; which is my first name? asks Walker/Marvin to her) of a man that kills and looks for his money and is never ” read more
“(MU) Post independece, post revolution, inside corruption and truamatized character, dramatic unitry (one day form curfew to curfew) that allows some long interesting sequencues” read more
“(OK) Last of Mr Tibbs trilogy with an open ending that asks for more. But there's no future for a character founded on racism in these films abstracted from race. The plot of the vigilantes ins interesting but Poitier is dislocated firm it....” read more
“(MU) The noirish touch (strong in Meg Myles character and dialogues) plus the soft sexploitation, makes it palatable. Grayson Hall, interesting support.” read more
have watched
7/10
have watched
5/10
6/10
“(MU) We know India and Delhi in particular is too poluted, and the images of the rite on the river cover with foam are great; but there´s not much causes and testimonies...” read more
“(MU) Sutil, tierna como la Ñaña, la abuela que recibe al nieto. Muchachos que escapan de la realidad pintando otra en los muros, incluso el árbol que encuentran en su vuelta a la ciudad tras ser abandonados por la policía...” read more
“(MU) Great character, extreme in its suffering in prison, his burning accident, and sublime in trying to cope with the community activism to make him free...” read more
“(MU) Experimental but around a bg theme, Kennedy's assasination in Dallas, so iconic, that Conner plays on sound as well than as image...” read more
“(MU) Tscherkassky arrives a bit late to experimental cinema, but this 3 minutes film is like a small 'descarga' of all he has done...” read more
“(MU) Muy sutil a riesgo de desinteresar, pero el lento deterioro de la protagonista, su miedo y su culpa por no abrir la puerta al chico que luego matan; se redondea muy bien...” read more
“(MU) Irregular but never brilliant; maybe the braislian Ferraz segment has some plot and dreams and chracter; the Apichatpong is too thin as the 3 or 4 long takes of Shangau by Ackerman.” read more
“(OK) The phrase of Poitier threw over Steiger surrounds this wise policeman regardless of his race, with things not well at home, and a friend (priest Martin Landau) being the suspect...Gordon Douglas is a bit tired...” read more