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“(MU) Seen for the 1st time in Helisnki's cinematque. The horror of the woman turned against her will in the deadly witch is well submerged in the rural snowy Lapland drama. Great scene of the anti/heroine sacrifice her little white reindeer pet in the filed od snow and cornaments...” read more
“(Alcazar) Mitre consigue una película para verla como espectáculo de referente histórico, 'políticaexploitation'. Que el protagonismo heroico esté en Strassera y su jóven anónimo equipo valga como reflexión general de la renuencia a encontrar héroes en los políticos y hacerlo en los operad” read more
“(OK) Anyting from Charles Walters is worth viewing but this is minor, a bit heavy and schematic on the script and plot, but enhaced with MacLaine, Niven and Gig Young. A bit aged to, specially when trying to seem liberal” read more
have watched
7/10
have watched
7/10
6/10
“(MU) So amitious being so simple, tender, elliptical. Sebas has an entire life, poor losing his job for his dog, goinf to ha pampas, losing the dog (in ellipsis), passages with his mother. the pandemia who obliges to use cristal bubbles...” read more
“(OK) So superficial, you forget what matters in war and love,ia mere navy public relations affair. Ford in the matchmaker of Holliman and Francis. The cyinicism of eahc character, specially Keensan Wynans is so easily beaten...” read more
“(MU) There's a story, loosely connected, a girl looks for a man who worked in the missing skywalk, the guy is lookin for war in cheap porn movies...” read more
“(MU) Rare, exprimental, audacious (no texts, difficult story), the desire of depict madness formally exceeds the storytelling...” read more
“(OK) Dwan in Republic loved this kind of materIal: a world in a small town, as in "Angel in exile" and "The inside story", love, life, death and a miracle. The catalyst here is a small girl (Natalie Wood, so tender is troubling in her introduction) bout also Dean Jagger... pretty film” read more
have watched
7/10
have watched
6/10
have watched
6/10
have watched
6/10
have watched
7/10
“(MU) Tanner so interesting ideas more than stories, states of suol, limits, borders. Here is the epitome of all that, no man's land between Switzerland and France, good and evil, love and escape” read more
“(OK) Deep costumbrism that goes berserk, to bizarre moments as the beauty contest and the fire and the hommage to the veteran. Being so intense and short, has great contemplative moments” read more
“(MU) A bit obscure, two or three lines of time, but great character devastated by a lie and a suspicion and a fatal attraction...” read more
have watched
7/10
have watched
8/10
7/10
“(OK) 30 years after 'Snow white' and there's the same Disney style, with more music and songs, study of animated characters. The 'bear necessity' number has its charm” read more
“(OK) Splendid short sequence shots, a coreography of death in elegant skirmishes (no combats), bare chest men and brave nude nurses, the pretty chaos of deadly war...” read more
“(MU) Good ballet (specially Otello mad dance, better than Maya Plisetskaia in Giselle), race action in the snow, logs in a river (love that part); but here´s no charaters no chance to depict a system of life....” read more
“(MU) Cierto problema de ritmo, pero buena historia de machos idiotas y mujeres sutilmente subversivas, sexo apagado, revanchas generacionales, cierta anarquía pueblerina, intimismo sucio...” read more
“(OK) The Metro lions amuses with its stars. Greer is prettier than ever and Pidgeon plays happly with her, as arobat Romero and evil mother in law Lucile Watson. Lawford is a mature boy for incipient Liz...” read more
“(OK) Saw a lousy copy, lost details, but there it is the corpse falig and the woman calling the police, the only bity of drama and action in the soft zoom in a window ou of conex and time. Experimentation with soundtrack is more radical than image....” read more
have watched
7/10
have watched
8/10
have watched
5/10
have watched
6/10
have watched
6/10
“(MU) So bad , so funny (I'm tired of bloody maries says one of the vampire hookers while we see a man having a tranfusion), Pavo the dirty valet unabel to become a vampire, smelling his farts; Carradine reciting Shakespeare who was a vampire...” read more
“(OK) Confused beginning as Lee Marvin awakens from death, the deja vu seems as rememebers from previous life; the existential dimension (which is my last name? asks Angie Dickinson to Marvin; which is my first name? asks Walker/Marvin to her) of a man that kills and looks for his money and is never ” read more
“(MU) Post independece, post revolution, inside corruption and truamatized character, dramatic unitry (one day form curfew to curfew) that allows some long interesting sequencues” read more
“(OK) Last of Mr Tibbs trilogy with an open ending that asks for more. But there's no future for a character founded on racism in these films abstracted from race. The plot of the vigilantes ins interesting but Poitier is dislocated firm it....” read more
“(MU) The noirish touch (strong in Meg Myles character and dialogues) plus the soft sexploitation, makes it palatable. Grayson Hall, interesting support.” read more