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“(MU) The right testimony of a troubled short creative life. McQueen goes from selfasuring savage rupturist designer to unsufferable diva; his friends and victims talk, and the shows talk great for themselves. Lovably the model in white being painted by two machines...” read more
“(MU) Terayama in shangai whoresploitation, with Kinski amusing himself (well, half the film is grumpy) as voyeur and fucker. The heroine is a lousy actress, Dombalse is better and the wasted pretty chinese boy...” read more
“(MU) Nice texts, even in its apparent lack of order, but poor quality of images in black and white. The alobi of being illustrations of an epistolar text is not enough...” read more
“(MU) Joao Pedro with text and personal story of Joao Rui Guerra, thriller and essay, tragic and noir but without seeing the main characters. Just seeing Macao with the colonial nostalgia of cool portuguese...” read more
“(YT) Black humour, against a heavy boy, less baroque than Melies, with seems more realist in its fantastic subject...” read more
“(MU) Joao Pedro is the best portuguese director alike, even better than affected Miguel Gomes. This is a wide melodrama, mythical in the last trip of Tonia and Rosario (the scale in the home of the trans is so) , moving, excellent in each close up...” read more
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“(MU) So moving little story, the fallaing leaves in the backgrund and in the mind and action of little girl believing she will save her sister's life tying them to a tree; makes you forgive the forced happy end and the anticipated texts...” read more
“(OK) More than sins are human weakness satyrized, good approach for Godard mocking Constantine tired to lace his shoe or undress to have sex with a star; de Broca making chaotic and constumbrist eating out of death travel and rituals; Chabrol mocking a whore de luxe; Molinaro with the sexy Dany Sav” read more
“(MU) Story of Israel and Palestine as background with pacifist point of view, a selfish heroine, a too conscious one (Mama Hind), 3 or 4 stories behind them, long cameos by Dafoe and Redgrave, brightless direction. The best are the authentic Jerusalem locations” read more
“(MU) No style, srt of long news on TV, but they had the best witnesses testifying, a good macro approach, and great criminal sotries specially the Girseld Blanco one, the narco madrina...” read more
“(Usb) Straight storytelling, thriller in natural ground, flyng machine, empowered black woman, nothing bad...” read more
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6/10
“(Usb) Post terror by Peele. Instead of fear, there's audacity (the 'it's for Oprah' stuff) , ambitoing and a sort of foolishness seeking to record the imposible. The Gordy subplot, (the chimpancee killer) makes this a sort of poor 'once upon a time in Hollywood'...” read more
“(Usb) Colonel Parker is the villain but makes his discharges in the figure of an amusing bastard tricky Tom Hanks. Elvis has to be a manipulable moron to be managed by Hanks (even his religipus mother is more inteligent) and so are his friends...in Luhrmand there's a superficial baroquism...” read more
“(MU) The very first Demy fiction is a Cocteua monologue staged with a handsome mute man while the woman -as in "the human voice"- charges against him...” read more
“(MU) The very first Demy, simple, honest as his vieux sabotier documented making his clogs from a piece of wood, and doing nothing with wife and adopted son...” read more
“(MU) August in reverse, 22 days in reverse, each scene behind the other, strange, not happily solved structure, in fact improvised while living the Covid quarantine...” read more
“(MU) Joao Pedro Rodrigues, big name in the arty, mysterious, dense portuguese cinema. This is ambitous, phobic, natural, primitive, observation of birds and almost fantastic rituals, xenophobia (the crazy chinese women lost from el camino de Santiago), a gay moment...textures...” read more
“(MU) Its not only a drama of rejected son escpaing with rejected mother, but a tragedy that needs the victims to be stupid. The finale , the revenge of two women, the real police woman and the devastated mother, is ok...” read more
“(MU) Rohmer makes clearly his point, with correct text and statiscally references of women in superiro studies...” read more
“(MU) Melodrama of soft pantheism, a wonder boy Pitt being the fatal hero, from the point of view of the surviving Craig Scheffer, love and harmony goes fishing with envy and jealousy, there´s religion in fishing more than in father´s temple...” read more
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“(MU) Kusturica at his best and funny and and joyous because evuil and viilence are submitted to a happy ending with the harmony and bad and not so bad peple. The young ones are the hope of the future, being helped by fading granfahers. The adults are rotten...” read more
“(MU) Pretty, long and elusive doccumentary with traces of fiction on underdevelopment, dilemma between migration and some weak edentity based on the plant (khat, kind of african coca leaf, chewed as in andean Peru and Bolivia)... affected b/w...” read more
“(MU) Too 'staged' in one room and too dependand of listening Swinton explain the earth form as programmed extraterrestrial view...the best ar Tilda's attire...” read more