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“(MU) Funny, rare characters, reacting in a peculiar mood to their happenings, not the best development of the plot, not all revolves around the babysitter...the intellecutal non simpathetic brother wins ath the end...” read more

“(MU) Too many chracters, reiterative topic condensed in a final confusing fight, Wassifa is so beautifull but lacks of romance, more dramatic is the betrayal of Hassouna, some scenes (as the enhatic, primitive last one) seems russian cinema...” read more

“(MU) An irish incursion in apparently asceptic asian Singapore, but finding there somo familiar, funny noirish touches, fantastic ones on ideas on death...” read more

“(MU) Expresionismo deconstructivo de la imagen animada, que se construye con y apartir de los elelementos y texturas colindantes, hay escenas notables en ese snetido aunque dificultan contar la vaga historia de la chica que escapa o pretende escapar de la colonia y alucina chnachitos como hijos...” read more

“(MU) One of Gremillon's marterpieces, his 'bete humaine' and 'quai des brumes' a la fois; Renaud is his piece de resistance dramatique, as she is in "Lumiere d'eté"; here with a tragic aura, while Jean and Michele have an impossible and quite on going affaire...” read more

“(MU) Short story, gaysploitation, but has suspense, little effective plot points, evasive violence...” read more

“(OK) Powerfull, non manicheist (terrorists are terroists, even the women leaving bombs in the worst ways and places), non lineal but comnprehensive structura, even sexy and startling...” read more

“(MU) First of Carrpignano's 'trilogia calabrese' is the most weaken, but starts some theme and characters (there it is Pio Amato, two years before coming of age movingly) . All is black and italians surge in ambiguous ways...” read more

“(OK) Leslie Caron at her worst; Walters, so so. Not decided to be a musical full of fantasy, not decided to be a realist costumbris tale...” read more

“(OK) Ichikawa brights accordinf the sport : in the water is confusing, but the strenghtens muscles and the effort in the faces, in the races in slow motion, with the excellent photo and camerawork overall the film, is worth the viewing. A dry narraion, with enphasis in japanese sports; there´s no t” read more

“(OK) Outstanding, the hipothesis is sharp and consistent, the false documentary strategy is dubious but terribly effective...” read more

“(OK) Good, great story, but pathetic main characters. The old lady is too naif, the 'hero' or 'antihero' is too stupid...but the travellings following them inside the shop or in the street, some scenes ascending in dramatism...” read more

“(YT) Warhol asks too much if he wanted the spectator to understand it is an Anthony Burgess adpatation (the sound and lousy actors are not well understandable) ; but in trying so, has an fashionable underground tableaux vivant of sadomasochism, clubbing and drugs, and rock...” read more

“(OK) Wunderkind, aged boy Bernardo, dealing with suicide (Agostino's and, in a way, zia Adriana Asti who reveals her depressive self in each apparition). Parma inmortalized in one film.” read more

“(MU) The end, summs up the entire film, coming of age, in the circumstances of Pio, is, at least, having suffered a terrible bad action (betraying horribly his best friend) in behalf of his lousy brother and family...” read more

“(MU) In fact, this is 1986 and Tilda sings as Mathilda in the credits. Joanna was very pretentious, this is a expensive film, with choregraphy, costumes, many decors; she tries to catch something (nostalia, new style, glam, glam) she can´t...” read more

“(OK) Lucille Ball was right for being proud of his role here. She is startling in her btichy and victimized 'her hignness' in wheelchair. Damon Runyon's world is a bit heavy here, when askes to believe in miracles and then in whimsical noir endings...” read more

“(OK) Brilliant, excellent, elegant, circular Corman, nice strong coloured photo, with shades of red. Price as prince Prospero, a satan lover, tells satan that christian Jane Asher rivalizes with him in faith, that sums up the essential plot; but there are great details as the pair of little man and ” read more

“(OK) Michener has everything for Hollywood: war, drama and strong characters. He even put the bridges in Holden and Kelly's bed. Robson dramatizes brilliantly the action in ground and air, specially with Mickey and his green hat and scarf...” read more

“(OK) Sexy, seductive, contemplative, mistifying look on sandistic pretty boys on motorcycle culture, post Brandos 'the wild one'....” read more

“(OK) Found a lousy copy. Unique isolated satire, comedy, sung and danced, not austere in form or in spirit....happy boy was Bresson before becoming Bresson...” read more

“(OK) Bresson al large, scherzos, short dialogues, best of all the metal, sadness and bloof feast. The austerity its a pity because youd don't see the duels, and the actors are lousy, but unit of style and somber tale of the never found grial and idiot Arthur is ok” read more

“(OK) Takes long time and lot of sand, to build his tale. The woman is imposibble to catch that's the idea, is as 'unsaisable' as the sand. The hero is imaginative to make devises to escape but not to establusbh human relations, that burdens the film...great photography...” read more

“(MU) One of the best of Kim Ki Duk, the romantic pimp, intensely looking at his objets of desire throug a glass.. darkly... The community of other pimps is amsing and moving...” read more

“(MU) I prefer other and later Rohmer's. This one has better landscpaes (Annecy and its lake) but not better characters and rythm. Brialy its very sefl repressed....” read more

“(OK) A minor, non star, irregular Bresson, but ends fine. The hero is more a confused man and a looser than a dreamer; but, yeah, she is almost dreaming when embracing Marthe befroes her lover appears. Some rare nos interesting details....” read more