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“(Mu) Pascale Ogier character is all: affirmative, audacious, experimental, loving, caring, egotistical, impossible with his boyfriend, so tolerant with Octave (Lucchini); moving when loses his love for wanting everything at a time. Moralist in a playful degree” read more

“(Mu) Great Resnais, neat and experimental, effective, moving, playfull, theoretical in Laborit's explanation of characters in each story. Depardieu is dramatic almost tragic in his suicide attempt, Nicole is passionate...” read more

“(OK) Maybe Hawk's first masterpiece, he redefines gangster film with as much intention as action; some scenes and ideas are dated (as Raft´s coin), but characters are always moving, specially Ann Dvoray and yeah Raft...Muni is startling” read more

“(Mu) A ghost of a man as great beginning, a story that reusmes recent history of Poland (as Wajda's films, specially 'Sin anestesia'), a liberated but too hunted by guilt woman, a stubborn political prisoner, al old doubtful lawyer...” read more

“(Mu) Rohmer´s esental ordinary naive self conscious characters. The 'seductrice' and the seduced boy, the women liberated and confused, even as young as the detective girl. Long conversations in wich story advances as much as in long action in the streets...” read more

“(usb) More slow than long, its not comtemplative but mindful ans loosely evocative, evasive in a way; character stuck in no land for her memory of a sound, first looking for it with professional aidance in Bogota, then finding a memory fellow in the forest...” read more

“(Usb) Gran Almodovar, summa teológica de su sinceridad y sertividad melodramática, con solución activa, más la historia de espala en una fosa revelada, las familias y amores alternativos, la maternidad asumida y no pero nunca culpable, Penelope más allá desí misma, eterna...” read more

“(Mu) The stories take too much time to intertwin, characters take too much tiem to react after everything is staged; when they finally do, there's some depition of corrosive irresponsability...” read more

“(Usb) Great b/w solutions; specially the choir of witches, almost inside of Macbeth´s castle. Two way story, Lady Macbeths progressing influence, and then Macbeth's prodessive madness....” read more

“(Mu) The grainy 16mm, the improvisation, the wandering in and out frim Paris, the derpession of the heroine till she becomes an active seducer, the epiphany of a real green ray at the end. Biarritz and Saint Jean de Luz, is everything...” read more

“(OK) Agnes remembers Demy once more, film by film but not cronologically. Not only Demy seaks but Picolli, Deneuve, Moreau, Sanda et al. Nice...” read more

“(Usb) Big theme, parents of a psycho murderer and parents of one of his victims remembering and helaing wounds, but dialogues are too neat and reiterative, it begins and ends well...” read more

“(Usb) A finnish lesbian find the russian soul in a long train trip to artic Murmansk: that fantastoc passionate impossible boy appears as a heavy angel in special moments, he is more than the mystified petroglifs she want's to see...” read more

“(USB) Redonda ironía del patrón que intenta asimilar todo lo bueno y en realidad es un paternalista mandón. Un toque de absurdo, bien llevado, como un running gag, el del despedido que monta una protesta sin ton ni son; los giros de Bardem tan buenos como su actuación...” read more

“(OK) Some brio in the background choreography (characters don't dance, just sing) and in the deadly battle's eve, when soldiers sing thier last letters to their loved ones, pretty moment....changing a huge nose for a short stature was a good business...” read more

“(Mu) Great surprise from Cote D'Ivoire; has the strange virtue of being poetic while denouncing religious madness; strong images...” read more

“(OK) One of the best Wajdas. A big man coming apart in a systme in the edge. He is a star thanks to it, so he succumbs thanks to it and to his wife's lib. Interesing character the silent girl she embraces after his wife separation...” read more

“(Mu) El debut de Rejtman establece su estilo lacónico, Jarmush en Buenos Aires, loosers vícitmas y victimarios con la misma normalidad, se suben y bajan de la moto ajena con bendita frescura...” read more

“(Mu) A minor but interesting Chabrol, he amuses with Serrault and Huppert and their undefined partner/parental/romantic relationship...First half is better, specially in snowy Sils Maria...” read more

“(Mu) This is special being standard, but Verhoeven goes for extreme sex and competition in high dramatic Las Vegas; there's elocuent harshness in each character encounter. Gina Gershon is far better than the main character...” read more

“(OK) Huppert once more in a sexy psychopatic role, in the baroque Schroeter swan song or swan puke. All the last hrid part plaing with fire is amazing...” read more

“(Mu) Nice simple clean happy ending story of a family suspecting and then embracing a relative that teaches a lot og global lessons, including the rediscovery of cultural roots. The uncle, naturally, speaks of many great topics...” read more

“(Mu) Humor conmovedor, personajes que se encuentra relacionados y hasta repetidos, se emocionan y mienten por idioteces; sin alardes visuales ni de estilo, no es extravagante, es rara, cada detalle es una joyita como el saco Armani” read more

“(Mu) Pasión y un poco de amor loco, con fondo de identidades y talentos literarios contrapuestos y una fuga al campo reparador donde la Chus Lampreave, mamá de todos, le dice a Marisa que es una vaca sin cencerro, hermoso....” read more

“(Mu) Jia Zhan's first. The depression and psychological escape of a picckpockt after seeing that a close friend of his hasn't invited him to his wedding, because he's ashamed. His rlation to a whore, and the first time he sings, all thar is a kind of dostoievskian; great moving ending...” read more

“(Mu) What doesn't happen (a friendly or even sexy catarsis between friends), or what happenned (an old and mysterious youth joy), is more intense that what you see, but there´s interest in it...” read more