My feed

“(MU) A nain, good actor, just finding a place, enthroning himself, dignifying himself against pomp and circumstance, funny, bizarre, natural...” read more

“(YT) Experimental, feminist, vanguardist, well acted by Arquilliére, the plot of the gun is a good devise, circular; inside is the woman imagination, but a bit confusing and chaotic...” read more

“(YT) Two delicate birds or feathers rocked in the storm of history. The action is better than in Intolerance and rounds beautifully the heroines. For instance, when Lillian see Dorothy from the balcony, when Danton and Robespierre apears for the firt time and Lillian leaves the scene...” read more

“(MU) Lovable because begins with a little conte d'eté, then the main body is the conte d'hiver in paris and Nevers, and ends in the miracle....” read more

“(OK) Really a lousy Ray, bad story where you don't understand the volatile characters, Ray avoids some clises to fall in bigger ones: Wilde as a dancer who dances far in the dark is so miscast!!” read more

“(MU) Pioneerism, complexity of themes, good decision of havong good and bay guys within the balck comunity, gossip, ambitios, betrayal, even a bribed preacher...” read more

“(YT) The last sequence is in another dimension, abstraction when you see just two figures in a changing, melting, landscape, Barthelmess ging from one piece of ice to another, heroism and romance as bonus...” read more

“(OK) How to rate this? Compostion and direction is primitve, but storytelling with contrast, even suspense and crescendo, is seminal.....there´s pure history...” read more

“(OK) Last musical by Donen, sober, tender with rthe characters but never corny, Gwen Verdon at her best as actress, and dancer (his Lola gets what Lola wants is divine, even better than her number with husband Fosse)...” read more

“(OK) Coming of age, with a parenthesis in Sweden, so somber, looser, prejudiced and sexy in a glimpse...the boys are so natural that the victim of bullying seems happy...” read more

“(OK) Free wonderfull gags (my favorite is Jerry singing ans scatting in a musical, just for enthusiasm), his clumsiness is same time spontaneous and stylized choereographed...” read more

“(MU) Good piece off condensed almost real time drama, in a small reunion to celebrate Kristin's designation as minister; a bit caricaturized and hiperhistrionic, agile, but it plaus with the press conerence at the end with Krisitn contradictions...” read more

“(OK) Isa Miranda is convincing in this amour fatal, melodrama, in which caligraphism (italian bullied academicism) is impecable. There's a greta mo,ment in which everything makes spectator believes that she is gonna be decirved, and there it is him. The madness of love become credible...” read more

“(MU) Polivalent minimalism, if is somthing like that: objets, used with different meanings and functions as butterflies; alternaed with some life moments, loose ideas...” read more

“(MU) Surprise! Ethics, competition, extreme normalized violence, guilt, friendship. betrayal in the world of porn, till the heroine just says, stop the car, I get out. Which was the trigger? The no victimizing feeling of a por star being abused by the heroine..".I am sorry", says she, "What for?", a” read more

“(OK) Tragic dimension in a great scene, where the woman dies freezed in the snow, in front of his husband fatal prejudices; there´s almost no hope hear” read more

“(MU) Jia Zhangke is as fluent in fiction as in documentary, even if this is almost two hours; but Shangay is worht trying...” read more

“(MU)A classic of soft terror, romantic, delicate, sensitive ; therés a rational criminal confession at the end, but the fantasy is there, in dreams and facts...” read more

“(MU) Delicate, multilayered, with great moments of montage secuence, in the limbo of a change of home, but too reiterative and frozen in narration...” read more

“(MU) El relato de la mujer (nunca la vemos) de Tulum que cuenta su paso por la cárcel de Matamoros es muy bueno, aunque se independiza, casi enajena de las imágenes. El de la payasa de circo y su hija secuestrada muy distinto, no se complementa, pero es equivalente...” read more

“(OK) Not only the historical theme is preciously rare (socialist comunity called 'diggers' in cromwelian era (XV century) ; the style, in austere b/w is bright in batle editing, almost nturalist and contemplative in open air....kind of 'Dreyer'...” read more

“(MU) 4 transgender male to female, subversive, imaginative, call for references, queer trans point of distorted view, bizarre look on beauty canons...” read more

“(YT) One of the most Lloyd's absurd. He, apparently a sedentarian, idle, hipocondriac millionaire fights by accident and entir revolution in a latin republican island, just helped by a very funny giant. The gag og the brute man recollecting girls in orden to find Harold' one and then dismissing all,” read more

“(MU) Just songs, no talk between them, but everything about Warhol and John and Lou is in them, said in a 'cool' way. Lou doesn't even reget to have fought with dead Andy but is moving when says/sings that Valerie Solanas (the one who shot Andy) must've been dead , eye for an eye; and John says 'I h” read more

“(YT) So clearly narrated, that De Mille's patriarchal credo leaves no place to doubt. Swanson is as convincing as a snob repressive wife as a glamorous sexy submissive one. Frovolity is always sexy, fashionable and extremely good in design (the hotel with the swimming pool is excellent)...” read more