Reviews by fernando

(OK) Cukor studies his character, follows and pushes her to run through the frame, to love or to perform, then the melodramatic ellegant touch od Colbert visiting her 'husbands' wife. Claudette is better in melodrama than dancing and singing...

(MU) Happy, very happy, 'dude' back to the future and the past and the multiverse present before it was named so...

(MU) Neoneonoir, with fantastic touches, one serving as plot flexible point, a man suddenly comes another, a femme fatale breath taking...

(MU) Lousy copy, Eisensntienina editing, dogma of striking for revolution developed, but inside a fantastic, metapyshic, a bit existential story of a man wiht an impossible date with fate...after ten years in prison has one day of freedom and police seeking to make him not return in order to kill him...

(OK) Clint was already a master. Leone's spirit is all over the flm, but some macabre tones are unique in his carreer, as the town paintes, the little man becoming sheriff and mayor...

(MU) Iannucci's political comedies are more credible and realist than ?House of cards? ore other political stuff. Too many words and verbal fights, but the hogh key is well sustained, some actions (the assintatn leakinf everything, the subsecreatary and her bleeding teeth...) are really amusing

MU) Personal, warm, with happy feelings of daughter reunited with supposedly hard mother who abandoned her; bur she didn´t abandon her marxist dreams...

(OK) Cukor just dances with his camera around stars ego, amd MGM elegant, loyal incursion in a classic. The introduction of characters and and of the love affair are loyal to Hollywood screenwriting, the language is yeah, hard to get, and even harder in funny support form John Barrymore and Edna May Oliver

(MU) Porn and romance in single shots, HIV and kisses and wandering together lookinf for a kebab in Paris night after meeting in a sex club...a manigesto

(OK) Two secuences are a masterpiece, one openly comic being dramatic, the other opnely dramatic being comic. Grodin, in great acting, tires to convince Eddie Albert (superb) he is serious about Cybill and is going to abandon his recent wife. Next great secuence: Grodin tell the wife (bigger and lousier than like Jeannie Berlin) he is going to leave her.....