“Just two or three momentos in wich Borzage reminds us he is the director of sublime love stories: Li Hua Li embracing Mature ill in his bed; Mature looking ih his jeep for her; the bombs against a lover, the corpse of his wife and a crying baby...” read more
“The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style” read more
“The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style” read more
“The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style” read more
“Ozon is a middle interest filmaker, as here, double or nothing, superficial thriller, a bit troublant, thanks Bisset is there...” read more
“Ay Pedro, para sus adentros pero transparente para afuera, la idea de la adicción y la soledad, en estructura de espejo, sin formalismo, sin artilugios, solo algunas licencias narrativas. El hombre viejo es eso, dolor y gloria.” read more
“Sebastian del Amo es malo, malo, hasta el ridículo capitaneado por Bárbara Mori como chinita puta buena, pero es ágil y muy bien producido. Damián Alcázar le da dignidad a su papel, Chabelo, Sosa y Derbez puaj.” read more
“Bonita imagen y locaciones, Bardot haciendo sus oportunos y dramáticos strips, Vadim desarrollando un estilo; el plot es lo de menos...” read more
“Grieve, boring melodrama, with a vague plot of husband that comes from death, abstract abnegation, old values on men who naturally love war, plastic surgery that chanes all and nothing...” read more
“When Otto tried to be a new Wilder or Lubitsch before going right with "Laura". Too stagey. Berle is ok, Bennet is better...” read more
“Good first part (realistic in mexican border, and specially the jail), but the affair Borgnine/Katy Jurado is a bit corny, even she is impecable. Interesting Ermhardt and his Sidney Greenstreet look.” read more
“When Wellman knows hi is making omething special, and hast o be natural and honest and moving. Each close up or medium shot of a woman is a moving portrait. This film must be used in genre/gender studies...” read more
“Toruneur is always enjoyable even this film has some flaws (the bank assault is so boring), but McCrea is old and honest in his approach to Vera Miles, and men of the press and bussinessmen have some common sense...” read more
“Parolini (aka Frank Kramer) tries a choreography of shots, form the sexy bold Brynner; but his manierism is as pestilent as his cahracters, and so empty of feelings (at least you simpoatize with the priest and the boy, mmmmhhh)...” read more
“So great Wellman, a huis clos over a wide space, spiralized to an abandones town, and a unique gunfight inside an abandoned saloon where you see just details and results. Love it.” read more
“Gets better in the third view. Stevens cares a lot in relaistic details (with the excpetion of fights, but the alibi is that they're viewed through the eyes of the romantic child), and the one street one side town is exemplary of that...” read more
“Untamed, unsatisfied Brooks, experimenting with edition, changes of mood and textures, choral protagonism. Bergen and the twist of she racing to free her lover, reinforces the rare romanticism of the story, Johnson's death is superb, and the sweat of horses, a first...” read more
“Cagney is so convinced that he has something in common with best parts of his character, that forgets his shadows. Malone is a good support...” read more
“Ambitiuous, rare, for Hepburn lovers (in spite of Henry Silva looking sexier than her), Tony lacks some conviction, Lee J. Cobb ok, great landscape” read more
“Great in most part of it, just object the last part, in wich teatrical origin is a bit heavy. But, acting and directing is excellent as almost always with Wyler...” read more
“Impossible not to stumble with the clisés of witty sardonic journalists,a nd the patriotic democratic stuff. But there´s authentic wit in the proceedings, in spite of happy tricky manicheist end.” read more
“A discovery. Western with a snowy fantastic agonic touch and nice support cast, Even Novak is ok, Warden superb and that giant indian...” read more
“Good Fregonese. Stanwyck and Quinn are well above cooper and especially her, gives a noirish touch to the oil background.” read more