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“Compared with Hollywood's "Trumbo", this Hollywood spook mocks and hommages both rthe conservative and the blacklisted. The ingenue Clooney mistaking singing cowboy Hobbie Doyle for a commie, is excellent.” read more

“Polanksi at its best, bloody, provocative, la mise en scene of great phrases (love the withces 'something wicked this way comes'), Macbeth surviving lady Macbeth madness revitalizes him.” read more

“Gets better till the end, mostly when Debra appears and establishes a sex duel with Peters over Jourdan. Before that, a regular pirate movie.” read more

“Great 'polar'. Its charm its not in the noir intirgue, which is ok (a plane forced to land in a joghway); but in human talk and drama. The boy seeing Delon and Demich in the beach, wich makes the pre climax; Lino ventura quitting his resistance to smoke; Gabin and Nazzarin buying presents to their g” read more

“Gordon Douglas, and Errol and Ruth deserved better than this. In despite of 2 or 3 noir scenes with Burr, the screenplay has a pitiful religious ending and the death of a expendable philipine boy.” read more

“Risi becomes delicate and classy after too many popular comedies. Baldwin is tasteless actor, but Demongeot is ok as cute and lovably bitch.” read more

“Gets better till the end. Simon's (Jack Palance) flight y the maddening climax of fiath ans lust for power. The abstract decors also gets better in Rome and in Simon´s tower. Mayo and Pier Angeli ok. Newman is still waiting for another vehicle.” read more

“Intense, circular, installed in a 'limbo', at the doors of inferno, with a son or a pretended symbolical son dead but not execrated by nazi autopsia; an uncertain deathline of execution, an incredible job cleaning corpses in Aushwitz; and just a glimpse of heaven in a living boy's face. The smile in” read more

“Risky, radical approach to violent for good and for evil in Michoacan. It lacks antropological explanations to calm opur anguish, but that's not the point for Heineman: he is always with his character Doctor Mireles, in his heorism and his fall, even when he flirts with the girl.” read more

“Sincere, equilibrium between 'yonki depressive star', good ol fame and the political dogmatic phase. The daughter is one of the producers and guarantees control.” read more

“A surprise. Good two great actors film, so great Depardieu is someone as himself (his gag signing as De Niro is ok); with terrorific mystic supernatural touches in a specila hot landscape.” read more

“Beautiful, amazing nonviolent, bloodless fights with the fighters leaving each other in strange peace, seizing reluctantly its prey. Contemplative when has to, but enough action.” read more

“Tu mejor amigo es el mejor amigo de tu perro; una exploración sentimental, no cursi ni intensa, nice, de ese juego de sentimientos. Buenos actores. Dolores Fonzi un paso detrás de ellos.” read more

“Quick, well narrated, straight partial biography of Trumbo while blacklisted. Good lines well delivered by Cranston, sepcially discussing with Alen Hirsh.” read more

“Nothing outstanding in Dheepan¿s life because is beginning in each scene. I like the girl bieng sincere with him, and the meeting with the 'terrorist colonel'; but the end seems a violent Hollywood movie with the hero taking everything in his hands.” read more

“Is almost a genre in french films: the world has to stop to deal with the needs and bad moods of an anguished boy. Deneuve is ok because is 'froid' to all that, but comprehends in the end.” read more

“Loses time in name dropping and rude casting with lookalikes of Elia Kazan, Pier Angeli, Julie Harris, etc. The esential, wich is Pattinson accompanying Jimmy Dean in a singular rediscovery of its roots trip, lacks of intensity.” read more

“Too playful and ludicrous in moments where you could´ve asked for more explanations. But characters fight against its stereotypical cinicism, and have good lines for it. Baum (my favorite) says, after getting the whole picture of the cdos bubble in Las Vegas: "I'm gonna look for moral redemption in” read more

“All women character, but radical violent anarchist desperate feeling is washed by the meniangful statement of Maud/Carey Mulligan. I prefer the the secondary characters, as the suicidal Emily and Violet.” read more

“Hommage and spoof too clichés since the title sequence with the casitng of 'comic relief', 'moody teenager' ando so on. The vengeance motif is never loosen.” read more

“Too long exposition to reach to the trial. The danish sequences are poor compared with what follows. Danish wants to strip its nordisk guilt; its obvious.” read more