Reviews by fernando

(OK) Negulesco amuses himself as an old director and this is just his second film. Greenstreet and Lorre are in way to become a comic duet. Dimitrios is too seocndary character. Better is Faye Emerson

(OK) So good in tis lightness and frivolity that touches inner cordes. People has the burden of conventions and of avoiding conventions as duel and fidelities and engagement of infidels...

(OK) Some acadmeic disenchantment here. Marie-Martine is pale and tired, Blier is the middle french unglamorous guy. Beyy is the only monster, but th eplot works when the narrator becomes Marguerite Deval...

(OK) Dwan, as Walsh and Ford and Hawks, also make films on male friendship. This is awkward and extreme; simpleotn Reagan and gambler Payne. Women are accesory, ore Colleen Gray thna Fleming, who understands is second choice after Reagan's death.

(OK) Thanks criterion fot the technicolor wonderful copy. Tha fantastic set designs are as touching and (i)realistic than the terrenal ones. The gaze come from heaven being so human. The romance begins in a radio call, but what a call; a man in flames coming to earth and a sensitive operator....

(OK) The best Fuller's war film. Has everything: the momentos of just wondering what day it is, the tragedy and human anecdotes of strength push to limits (the man and his mule), the dilemmas, he observatuos (the soldier walking and jumping through the moles of cement over the bodies)...

(OK) 2 or 3 elongated gags, but one that is a plot and works: the excuse of the death mother in law. Fields as a submissive man is as funny as the subversive character of other films

(OK) The Moart concerto viralized here is more a them of fatality tahn romanticism. Widerberg bets of close ups and gazes, instead of more action and words. The brother is a needed element in a minimalist plot...

(OK) Clouzo goes through war, Paris pos war crime fonds and jewish exodus in Palestine, with a heavy flashback structure...but has a glossy production with two sexy young fellows, Aubry and Auclair and the nocreophile ending that is worth the film

(OK) The efficacity of Gaisnborough melodrama with a bit of adventure and, here, paranoral mystery on Lockwood character. She´s not evil as in similar films, but has a bit of amorality and thirst of revenge mistaken by love that justifies a happy end...