Reviews by fernando

(OK) So conventional the goof woman evil millionaire husband stuff, that even the singularity of invisibility is wasted...

(OK) Great plot, the club of drinking to become attractive, and then, becoming antisocial, losing a friend, in a nation where drinking is as criminalized as ritualized...

(OK) Uneasy to support the stupid heroine denying everybody that her mom has abandomes she and her little bro, even stealing a friend's money; but that´s the point...

(OK) Everyting is ok and tight,as Alfre Woodard twice (beginning and end) in the death chamber; cold and correct, but there´ssomething subtle in Alfre´s slos coming into pieces affected by the system od deaht penalty...

(OK) All the insecurities (a recurrent problematic topic, rebuild from old classic straight cinema) of the artist doing what she doesn't like, betraying her ideals,mmmhhh, amd finding herself a good rapper but not exploring that vein...

(OK) As funny as the first movie, maybe more consistent becuase there´s the missions that involver the daughter and there you have the corny parody on man becoming aware of his faherhood afffectios. The documentary style of the absurd dialogues are alomot Tom Moore stuff. The fertility dance number is great joke...

(OK) Not uninteresting a mother daughter grandaughter drama turning into a terror movie, with some idiost plots scattered in the proceedings...

(OK) Stubborn old Andersson and his existencial vignettes, with excellent composition. There's only one story running, the one of the priest loosing faith, drinking in the church (the best composition sequence), going to the psicologist...

(OK) Bizarre but elegant, sober, quiet, dramatic wandering of people thar suddenly, in a sublte contagious way, feel they'll die tomorrow...

(OK) One expects more 'cocasserie' from the director of "The death of Stalin", visiting Dickens with a multirracial improbable cast. If he had that ocurrence, why not more og that?