Reviews by fernando

(OK) Al least short don't know is goodbye to a form of language or goodbye to a career. Its more the first choice because these essays, planted with great funny coprolalic sexy poignant quotes (the best of Godard) are very godardien...

(OK) Russell Metty splendid colour in cloth and painted indian bodies is the best, pairing with the always great plot of the obsessive militar driving his men to deth, here in the swamp...

(OK) Ophuls caligraphy in its Hollywood welcoming, in the beginning and int the fabolous mill set. Fairbanks is agile and smooth, and Montes ravissante in a short appearance...

(OK) Small korean incursion in american agriculture, with a vintage grandma, a hideous and funny and doomed character; but corny end in a way...

(OK) Oh, Ming Liang and his long sequence shots and his wandering characters, lost in the world. Here a father and two children lost to a strange woman; and a shot longer than the other where he senses the loss and eats a cabagge personifying the daughter...

(OK) Good man, Apichatpong, dealing in such a warm, daily, natural way with fantastic themes. The soldiers of a hospital are, medium, of ancient souls, and a nurse knows it...

(OK) Linder got oldie as quick as american slapstick. Here, there's some proud french parody and 'diacronological' stuff (phones and motorcycles) dealing with Dartagnan and company...

(OK) Soft in the form, hard in the backgorunf indian melo of a suffering but in a way reluctant girl tha maintain her useless family. Well, the musical brother is nor useless, nor hero; bur a star in the end...Well directed

(OK) So quick and baroque and humorous in its 'Marvel' way that seems monotonous. But there is some details, tha 'bubby trap' set desing, the hienna as pet...

(OK) Baroque, passionate debut of Terence Young. Many virtues of english cinema resume here. The debutante Edana Romney was a loss after this...