Reviews by fernando

(OK) Disney posed with the madness and episodic fantasy of Carroll's is better than telling a tale. The flower concert, the walrus and the oysters, the cards and the queen in the end, the troubling size of Alice breaking a house and a keyhole....

(OK) Mayo is an impecable artisan. Leontovich is moving and nos so old to dance and stands between his polarized sons. The scenes, real and the ilusory with the four in the table, are the heart of the film, better than correct action scenes

(OK) The documentary stylle of the dimension in which the film arrives to evacuate London is impressing. Before that, good atmosphere of Barry Jones with the spinster landlady and then the tender Olive Sloane...

(OK) Just for the cast and the charm Conway puts in every one. Ava is great just smiling and moving his hair; Greenstreet has the antology scene of his spitting on the table; Clark cnnects them all, Kerr is deliciously fragile when going to the hotel...

(OK) Rutherford and Sim have a show apart struggling and bluffing; but the rest is kinf of poor, the anecdote is so clear and with few hilarant gags...

(OK) So light and full of texans clises and idios plots for the sake of entertainmente, that you can't resist it. Miller has some routines with more energy and correcness than imagination. Wynn is funnier than Skelton here.

(OK) Too much inspired on realistic illustrative Hollywood crime research films. But inside there's a moving sotry of a young cop embraced by an old one and the criminal psycotic plot with Bogarde...

(OK) Pelissier is ok with this short great story by Lawrence, troubling, well contrast (between Mills jockey past and the boy in a wooden horse), with an excellent Valerie Hobson, strong support by Ronald Squire, even erotic soft undertones in the boy on the horse...

(OK) Eerie Ealing, long live MacKendrick and his debutante skill for exploiting a good theme/anecdote woth social, geographic, ethnic background. Greta bit chatacters, as hard mom of coastguard. Radford is great as heroe/enemy of people...

(OK/YT) Begins well, with the monologue of Caesar to the sphynx and the apartion of Vivien between the paws. Then, all the little and historic intrigue, with Ptatateeta (Robson) and a swashbuckling Granger, gets somwhat tiresome. Rains leaves Egypt as gratuitously as he got there...