Reviews by fernando

(OK) Underrated film of right to death of a severe disabled. Much better than other films of disabled people, and you feel, betwenn cracks, the pain of being inteligente enough to understand and cant stand life...

(OK) Le Roy expends most of the film beautifully depicting normal life in earth and the love of Van and Taxter. The goodbye of the boys is excellent and then you feel near to earth all the exciting of bombing Tokyo as a fatality of war...

(OK) The kind of film that Lourcelles love: cinical, demosntrative of the ingluence of that spirit in a family and the world, expressed in a few scenes... Raimu is convincing,

(OK) Nice adventures, ambitious staged in palaces of Venice and Russia, stock footage, early coloured scenes, some close ups with romantic touches, a bit serious account of Catherina coup to Pierre III...

(OK) Skippy is so bad and America is so good that there´s manicheism in a plot that doesn't deserve it. March and Field (why she didn'r act more?) are a good couple...

(OK) A world in itself, that includes the past of mi city, Lima. Anna has everything and can't support it, but the theatre is always handy, is the best parts, everything is vividly cinematically lively staged...

(OK) Mamoulian crude and early noir with a Borzage romantic touch. Silvia serves that purpose and Coop, well, he always has a touch of Peter Ibbetson. I love the scenes in the beach and the meeting in prison...

(OK) Washed up and too noisy. Aged in its slpastick, the suite with people coming any time, Wyman is unsufferable as character, Sheridan and Smith are batter, and Carson and Ruggles. The russian Eve Arden niet please...

(OK) An hommage to Grable legs, excuse to hail heroes (Guadalcanal is a glamour card of presentation) and the silliest idiot plot, of Grable impersonating Grable. A number with Hermes Pan is ok and the long militar number at the end is too much...

(OK) Tay Garnett builds an epoch, carefully, solidly. Garson is convincing in her extremes. Peck is most determined, as Gladys Cooper, as overacted Barrymore, but they provide the strokes of melodrama.