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“Love it. Dolan at his most genunie ageless intergeneration no matter sexual preference impossible triangle. The end with Xavier screaming funny too platonic love is great.” read more

“Puritanism against love. Sjostrom doesn't need to portrait Gish as a Boston or Salem witch; she is too pure for that. And too dignified when she stand people's judgment and is punished with the A for adulteress.” read more

“Tongue in old Duke's cheek. Kirk is better since a great introduction as Lomax. Bruce Cabot a good bad guy. Tiomkin's score and location an Clothier's photo are too much for Burt Kennedy's unispired direction.” read more

“Great Lang, inventing, amusing, dramatizing and romanticizing whrn he can or he must. The japanese deceived stuff is excellent to proof that is possible a romance between other too spies.” read more

“Descubro tarde a Grangier. Audiard le sirve la mesa en diálogos de los que hay bastante buenos para perdonar los obvios y malos. Con Gabin se entiende de maravilla y Tiller esta estupenda confundiendo a todos, empezando por Gabin.” read more

“Enjoy cast and production values and a very effective bot not brilliant plot hunged over a sharp cliff with a mouth and two iconic cannons. Some hard stereotypes you can forgive (hot tempered greeks Papas and Darren, btucher becomes coward and then butcher Stanley Baker, easygoing Niven faced by Pec” read more

“Enjoy the cast and not too much, because every air battle seems alike, and it's difficult even to point germans or british or polish, czech, etc. Some funny vignettes os parachuters falling in confusing places.” read more

“"Soy un profesional que hace un film amateur", voilá, en esa confesión/declaración caben todas las imágenes.” read more

“Sin acercamiento personal a Cocteau, usa entrevistas ajenas y el cm de Cocteua sobre su villa en Santo Sospir. Lomjor es oír a Cocteau hablar de otros, sobretodo de Radiguet que murió a los 20años.” read more

“Los textos, muy en caja, bien puestos en escena, le ganan a las imágenes salvo la slow motion de Marais guiado por Perier. Casares es siempre notable, es una sólida y a la vez frágil muerte. A seguir con la clave explicada en el comienzo, lo que no es muy auspicioso” read more

“Tenía un mejor recuerdo. Lo raro es que se trata de un noir coral bienintencionado, gente buena, arrepentida, pervertida (pobre Noonan enamorado de la enfermera), decanta su bondad ante los malvados McNally, Naish y Marvin que hatsa le pisa la mano a un crío.” read more

“Eastwood muy ajustado a su héroe: cometió la hazaña pero la tecnología, el pensamiento corportativo y los abogados malos malos, se la cuestionan. Hasta que él con dipalogos mosca, desbatara todo. Mmmmm” read more

“La picaresca según Monicelli, en plena España, que Italia no la tuvo como la tuvieron los españoles y ahora con le cine se voltean las cosas. Pícaros mandan sobre caballeros (aunque Gassman de noble pobre está genial),mandan sobre todo, incluso sobre el Quijote que se estrella contra el molino ” read more

“Monicelli menor. Nostalgia de navidades, fácil comedia con la familia más cálida que esperpéntica, el nono chalado que bota la anguila por la ventana, y el toque sardónico con la casa que explota. No big deal.” read more

“Lo ýltimo de Grémillon. La gracia está en detalles, en reacciones como la de Presle ante la muerte de su amiga Morlay cuando increpa a los niños en su mundo aparte. Morlay muere divinamente. Un film feminista sin pretenderlo.” read more

“Duvivier is not so comfortable in the propaganda stuff. Neither Gabin, who doesn´t know how to look when he has to be a heroe. He is better when he is not ans says so to Ellen Drew.” read more

“Un enfant que arrive tard. The old housekepper gives to the new one, this great definition that encloses the entire film. Charlotte BarbierKrauss as Madame Lepic is the french Margaret Hamilton.” read more

“Great story. Melodrama witn industrial boom (pastificio topic) and unavoidable decadence. The legacy beyond blood between Francesca and Nunziata is well finished” read more

“A poor Garnett. Ladd is a imposible, cold, heroe. The romance of poor servant and noble Medina is wasted. The Stonehenge battle is a false climax but at least is campy.” read more

“I like the sort of distance, non commitment point of view. The lawyer is not a heroe, is a looser masochist unable to discuss and to advice his stubborn client. All this is expressed in fixed shots of the court.” read more

“I'm not sure if Gondry wanted a youth film with one foot in french naturalism oe if it is result of some weakness or indefinition. Anyway the wheel ouse is a nice moving image and Theo/Gasoil a nice character.” read more

“I saw this for love of Rachel, familiarity with Marcello and respect of Eduardo de Filippo and his napolitan way. Poor story (more dreamy than absurd as it pretends to be)” read more

“Underrated Huston in spite of its lousy treacheroos everybody saved but the indians at the end. Great story, really unforgiven heroe Lancaster risking his family for love of sis Audrey.” read more