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“Verneuil has a Holywoodesque and spaguetti flare here. Quinn is a good geir of wonderful priest Sam Jaffe. The important christian theme is a bit obscured by the action, and the forced romance with Comer.” read more
“Anything from De Toth, is smooth and right acted. Scott is a bit old for the role, but who cares. An entire town acting stupid till the end. Massey a fine bad man.” read more
“A ity good Balsam is bad dubbed, but os ok as a judge with a bif dilemma. Ranieri too selfconscious t be a young bastard that kills a policeman and then actos so noble and determined. Cortese too histeric.” read more
have watched
7/10
have watched
6/10
have watched
6/10
6/10
“Respectfull, deep, unsdertanding of the fight inside a nun, her preide, her desires, her ingenuity. Hélas, Hepburn wins over the nun.” read more
“Wellman has this macho tender details as protecting fiery bacall and Wayne talking to an imagiunary 'Baby'. Nice epic idea in an intereresting light mood.” read more
“Salvo López Moctezuma que le crees fácil que es el diablo y la belleza de Sara en close ups; diálogos espantosos y maltrato clasista al personaje más simpático de todos, el criado.” read more
“Christian Jaque has a flair and charm for adventures, characters enjoy even thier mishappenings as the noble happy when noticed that he's gonna be executed by Le tulipe. Naiveté and cinicism in big duel.” read more
“O'Toole is excellent (as his make up) in close ups, quijotesquedreaming against compasive credulity by Loren, Coco and Harry Andrews. The central part, with the main song, frint the hat pf Mambrino to the vers of Imposible Dream is ok” read more
“Australia is born in this sheep with old kind of thieves and relative heroes Ladd and opinionated Medina. Mason convincent as always. Nice supports” read more
“Old Ladd in energic peplum, with some epic historical lies. Lot of deaths at the end and an interesting romantic fatalism.” read more
have watched
8/10
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6/10
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4/10
have watched
7/10
have watched
6/10
“Wise wise; resting in women until men come back from war. It was difficult to be really adult in late 50s, so he froces contrart between restrictive Fontaine and rebel without a cause Laurie, after being married to Wally Cassell.” read more
“So delicate romantic fatalism. A sad but not painful story as Claudia says in present tense before the flashback. She really loves Bube, in spite of her apparently free spirit.” read more
“Those enciclopedic old men don't onow 'it' and 'it' is 'it', those volcanic understated force in Hollywood, thanks to Hays code. Billy and Lubitsh, and Hawks directing a Billy & Brackett screenplay here; are the best in 'it'.” read more
“Efectism, ocassional hitchcockianism with Kerr as very british suspicioos wife. Cooper somwhat lost in king arthur´s court.” read more
have watched
5/10
have watched
6/10
have watched
7/10
have watched
9/10
“De Mille reflects -in his non theroical antireflexive way- on why mvoies are not in a way and yes they are in a way, a 3 ring circus.” read more
“Impeccable dialogue, acting tour de force, twisted emotions with characters always feeling guilty and unsecure after their outburts, unpredictability. A personal rediscoyery.” read more
“Tavernier goes firmly and secure (Simenon moral thriller) but not too ambitious in his first film. Lyon has a forced character on its own.” read more
have watched
8/10
have watched
7/10
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6/10
6/10
“The early sound provides interesting realism, sexy pre code, above the machista plot. Poor Dorothy Burgess, betraying Baxter” read more
“Chemistry between Gable and Hayward, trying to get her the hard way, but taking some confidence in the proceedings.” read more
“If I wasn't conquered but the original; forget this glamorization fashionalization of ex yonkis trying to build start ups (that's not even the conscious plot) in Scotland...” read more
have watched
6/10
have watched
5/10
have watched
5/10
6/10