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have watched
6/10
have watched
5/10
5/10
“In episodic films the first and the last stories are the best. No exception in this film. Women are discriminated or at least misunderstood, in subtle ways, even between theirselves as the teacher and the cowgirl.” read more
“La philosophie quotidien. Every fact has to deal with future in an illuminating and harmonious way. I like when Isabelle tells the priest that he rmother encouraged her to become a philosopher and then he says in the church that 'to be a philosopher was a wonderful gift because doubt and inquiring h” read more
“Great story well narrated and not many more about it. Mildred is a bit incoherent, too selfconscious some times, too shy some times. The imtimate moments, as the one inmortalized in a Life magazine photo, are the best. A pity they are so few.” read more
“The best Gibson. In his extremely high clue, after a long exposition of peace and civilization values in the US, with romance and all that things; quickly it reaches literally a 'high plain' of violence and blood and Desmond heroics. So well done and filmed that the last imge od Desmond floating int” read more
have watched
6/10
have watched
7/10
have watched
6/10
have watched
7/10
“Braga se funde con la dirección de modo tan natural. Su supervivencia al cáncer es el equivalente de una juventud revolucionaria, que en la adultez, se transforma en las ganas de quedarse en su casa, viendo, egoistamente, a Recife 'mudar'.” read more
“Minimalismo rural colombiano, culposo y grave, hermético pues la idea de que esas mujeres están conectadas en su abatimiento físico y emotivo por la guerra (oscuro y vago animal) no es suficiente...” read more
“Gran cuento popular, de idas y venidas sobre la vida y la muerte, figurada en idas y venidas del más allá (la luna). Tienen buenos omentos de arrebato dramático y gráfico, aunque son muy pocos (el pretnediente que se enfrenta al dragón en el mar, la carrera de la princesa dejando su ropa en el ” read more
“Tan obvia, efectista y retórica en su voz en off siendo tan noir, viniendo de un estudio del Poor Row como Republic, que cae simpática.” read more
“German humor, whatever it is in world than only buys humor from other industries. Too long but thanks to that Sandra Huller composes a natural, ambivalent, yuppi turns human daughter of a poor devil.” read more
have watched
6/10
have watched
5/10
have watched
7/10
have watched
7/10
have watched
6/10
“Too long and paced, confusing relation of relatives and friends when they seat at the table. But lovably idea of the story -and history- view through a deaf guy nad a nurse.” read more
“Wellman y la guerra como nostalgia del Hollywood macho y noble. Solo Walsh, Ford y Hawks harían esto. La larga exposición de los soldados interactuando en hogares cobra sentido con sus poéticas pero sobrias muertes en la niebla.” read more
“Hollywoodesque, even with 'Roots' documentary fan Zinneman, "Germania anno cero". Even the corny stuff, the ruins are as authentic as Zinneman efforts to dramatize the surroundings with ruins and river. Better than the french remake.” read more
“Well structured, a film in 6 parts, very domestic, with a nice Brooklyn adventure, good pairing with Elaine May. Best line: Patriot friend: "I have a purple heart". Woody: "I have a yellow streak".” read more
have watched
6/10
have watched
6/10
have watched
6/10
8/10
“Aunque afectada en su bergmanismo, más natural, imaginativa y divertida que algunos 'sauras' que pecaban de lo mismo. Le sumo su sexy homofilia, la prima donna decadente, la nana tajante y el viaje a Venezia que nunca se concreta.” read more
“Love it. Dolan at his most genunie ageless intergeneration no matter sexual preference impossible triangle. The end with Xavier screaming funny too platonic love is great.” read more
“Puritanism against love. Sjostrom doesn't need to portrait Gish as a Boston or Salem witch; she is too pure for that. And too dignified when she stand people's judgment and is punished with the A for adulteress.” read more
“Tongue in old Duke's cheek. Kirk is better since a great introduction as Lomax. Bruce Cabot a good bad guy. Tiomkin's score and location an Clothier's photo are too much for Burt Kennedy's unispired direction.” read more
have watched
7/10
owned
have watched
6/10
have watched
8/10
“Descubro tarde a Grangier. Audiard le sirve la mesa en diálogos de los que hay bastante buenos para perdonar los obvios y malos. Con Gabin se entiende de maravilla y Tiller esta estupenda confundiendo a todos, empezando por Gabin.” read more
“Enjoy cast and production values and a very effective bot not brilliant plot hunged over a sharp cliff with a mouth and two iconic cannons. Some hard stereotypes you can forgive (hot tempered greeks Papas and Darren, btucher becomes coward and then butcher Stanley Baker, easygoing Niven faced by Pec” read more
“Enjoy the cast and not too much, because every air battle seems alike, and it's difficult even to point germans or british or polish, czech, etc. Some funny vignettes os parachuters falling in confusing places.” read more
have watched
8/10
have watched
7/10
have watched
6/10