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“(MU) Good plot, twisted characters masquerading a love hate story, Cotillard fascinates men and destroys them and everything, is not a neat heroine, is a woman of hatred and revenge, but the film treats her as the natural beauty inconscious of her looks, mmmhhh. The more 'ilustrative' of Gray's film” read more

“(Mu) Too long and sans brio; Ai Weiwei, amuses and plays with his characters, quotes islamic poets, and make som good interviews as the princess of Jordan, a good heart country, is there is one...A big effort on the subject of refugees” read more

“(OK) After "Dirty Dozen", Aldrich did what he wanted, and was, as a contradiction to DD, this antibelicisto, heroism as a realtivist stupidity, as a mishappen of psycho, yellow or brutal men. Robertson is as good as Caine...” read more

“(MU) Fragile plot, too stupid character for the psychologicla stuff she pronounces, but some noir touches in Homeir character, a good supporting friend, a bad romantic ending...” read more

“(MU) No big deal nor original stuff the depressions of a posgraduate in NY; but mounts to a great scene at her home in Philly, with a grupal familiar hug...” read more

“(OK) Tha McBride debut is so fresh, so funny and spontaneous in some secenes, so cinema verite fake in others, he covers many statements of Godard and nouvelle vague dogma. Some long scenes in which David improvises and repeats himself...” read more

“(MU) Lousy plot, good action director in the making. Lee Curtis has the impossible role of makkin credible a character so stupid than can't make the actons hse made...” read more

“(MU) Bizarre, contradictory: in a way is interesting the normalization of the alien making a human life with a purpose of going back theme; but the style, and deviations with the support characters, is distracting” read more

“(OK) Good cast for Sidney, specially Pidgeon with his easy cool acting (henre handicaped). The corny stuff ith the nun has, in contrast, correct dialogues, and convincing romance Leigh/Lawford with human rights inmediate post war stuff...” read more

“(MU) You can remove all the stuff and digital dirt off the frame, and has a play(noghtmare of a troubled boy and generational segment in California...” read more

“(MU) Irregular and funny (the shot in the shoes is a good gag) , impudic, bizarre, satyrical when going to parties, specially the last one in the 4th of july...” read more

“(MU) Me gustó más que la primera vez que la ví en Cuba en los 80. Sara Gómez rompió varios moldes, sin salirse del principal: el rollo revolucionario enfrentado a maneras de ser disfrazadas de antiguas, pero más humanas, sinceras, actuales y con 'filin' que todo el rollo ese. Una sutil y simpl” read more

“(OK) Can't forgive Aldrich made so grotesque, pretentious (or wasn´t and the ugly plot and twists are tongue in cheek?), prejudiced, topical....Novak is as bad as the film and as the character's profiles” read more

“(OK) Extremely funny, Germi goes right to the always well acted gag. Some overlooked difficult of adapting a very french vodevil, with most interiors; it begins better than it ends, and has the frivolity of the genre, but its so joyful...” read more

“(OK) MGM and George Sidney trying to convetr this glossy drama in romance and melodrama, but is not easy. Dialogues are too literary for Tracy and Turner, always correct but not bright here. Zachary Scott is better...” read more

“(OK) El clásico cubano que no envejece, porque se quedó en le umbral de todo, en el mundo que se iba y el que venía, poética de la curiosidad disfrazada de indolencia, viendo a la familiar y amigos que se van a USA, soportando el juicio por supuestamente violar a Daysi Granados...” read more

“(OK) Intriguing (love and war and intrigue in the hills and in the city) but confusing plots points, arbitrary use of languages, uninterested Mitchum, uninteresting Mueller, wasted Baker, mistreated Gia Scala, the best are the secondaries Cabot and Bikel...” read more

“(OK) Uneasy becuase 2/3 has none or too little dramatic progression, the alternation of colours and b/w has no order; but there's a strong antipathy for classical college autoritarism and conformism that is corrosive...” read more

“(MU) There's already Jarmusch's ideas, characters and style; but lacks the humour, the angel, of later films. Kaurismakian but short on humour...” read more

“(OK) MGM musical in its phase of inding lucury and prestige, with classical music characters (the Iturbi family), sopranos (Jane Powell and Ilona Massey), and non romantic staff. Here is the crush of young Jane with Iturbi to find she is a fool...” read more

“(OK) So popular and influential that is a must. But really it has a strong idea (the reversal of evolution from men to apes) and a silly plot. The apes are too stupid. The endig is worth the film...” read more

“(OK) Aldrich regretted how washed of politicla violenc was this; and really goes to a not convincing happy ending; but he was a bit unfair: there it is an excellent cast being explicit in action, violence (the 'accident' in the elevator)” read more

“(MU) Mmhhh, a bit boring and confusing, Ula Seidl is a Chytilova sans bravure; the two main characters have too many roles and characters....” read more

“(MU) El juego de dos tiempos no es rico, no interactúa bien, pero el retrato de Rosario sí es complejo, independiente y fémina consecuente, pero atada a su romanticismo. Su hombre no es culpable, su hijo no es deseado, es ella y su pasión de amor algo loco; minimalista pues poco se desarrolla m�” read more

“(YT) A bit late but here's a point of departure or iranian ordinary humanist (not so spiritual) minimalism. Good compositions, and perfect setting in the village, the man becoming an animal, no ofense...” read more

“(OK) Really bad in plot and dialogues and gags. The long long Hollywood spectacle waste talents of Frank Morgan, Lucille Ball, Ann Sothern and Marsha Hunt in a lousy doctro sketch; Rooney presenst the show and is pure sympathy; Judy Garland and Lena Horne is the best of the film; Eleanor Powell is s” read more