“(OK) Verneuil subtle, melodramatic, moving sometimes, cold sometimes, but good director in the road and in the stop where the most improtant happens... Arnoul is so mature here...” read more
“(OK) Happy Mirande, lot of stories, some in one sequence (for inatance, the maid sleeping when her landlady was killed and when the pelicie awaken her, she confesses the theft of spoons and forks...or Michel Simon throwing knives to his wife” read more
“(OK) Good tight plot, lot of characters in one fucking day in hot Paris. The film has all the social themes of the moment, more announced violence than real violence, too speedy to think...” read more
“(OK) Great Naruse, delicate and subtlety choral, 3 geishas, their sons and long lost lovers aroun money and love. The fading beauty and sex appeal, is almost ritualized...” read more
“(OK) Post Hatari, hunt drama, with an excellent sour but in the end friendly ans fatherly Granger. The yuoung hunter is the bad part in every aspect, suaf Gabriella Licudi...” read more
“(OK) Wonderful narration, full os passionate details told in french tender rationalism, with sorpressive change of mind and accidentes and sexy moments...” read more
“(ok) So early drama, comptetently told, of what was happening in Auschwots has something epic and very polish when you see the fatal and hopeful heroism...” read more
“(OK) Murnau ir really moved by his character, Jannings too; but there's (in the straightjacket of not having texts) things and details not told. Great direction anyway...” read more
“(OK) Always impressed by formal sophistication of Leni. Not moving, just fun and expressive and bizarre; what a director loss for spund films...” read more
“(OK) Little serious debut by Fleischer. Adult but non exploitative; more cruelty among children innocence, but there´s too in daddy and mommy selfishness. Good ending...” read more
“(OK) Becker began with a pure excercise on style, far from Hollywood but a Hollywoodesque plot, characters have french flegme, Pierre Renoir is excellent as gangster...” read more
“(OK) Good, tight plot, revenge and a bit of madness, no one is more evil than necessary; the 'heroine' doesn't achieve nothing...” read more
“(OK) A bit rethoric on a such 'insaissable' items as love conquest and love, plain love. 3 stories, the one of Mathilde (Elsa Martinelli) is the longestt and sexiest...” read more
“(OK) Christian Jaque is good in every genre. Here is a kind of military vaudeville with a ridiculous piece in the middel (Pauline Carton very funny as a negro slave blackfaced with the help of Fernandel...” read more
“(OK) Good idea of a young wike obligued to be a godess because of a dream of his religious father in law; then the´res more contemplation (subtle, excellent) tha action...” read more
“(OK) Marcel Dalio is as excellent actor and character as Pagliero is a Gabin derivation.Blier is unusual, the old whore Jane Marken is better. Somo port colour, and more romantic than noirish atomosphere comes to help...” read more
“(OK) Here Camerini is a kind of italian Capra, with some harshness in the narration, but open to show tha social impact of De Sica´s idea of asking a gesture of authentic kindness to give a million...” read more
“(OK) Mythc melodrama, has everything, even songs when its possible to sing. Kindness, logic, reason, justice is somehow possible inspite of a sad ending...” read more
“(OK) Lovable first part, sad and poetic of the suicidal student... and then the romantic comedy of poor working young neighbours struggling in Shangai...” read more
“(OK) Chahin excellent in social melodrama wiht action and Karnak locations, and hot Sharif and Hamama....” read more
“(OK) The scenes waiting in the guillotine line ant then in the clinc of death, in tha luxury room of the man that spends all his money in 2 0r 3 days, makes the whole film worth...” read more
“(OK) Christian-Jaque trepidant, in action and dialogue and gestures; the insanity of Alice Tissot's 'mensonge' leaving his son in law with the idea that he is tha father of his bride is unique vodevil...” read more
“(OK) Almost cold, sauf the death of Caderousse outside Dantes's mansion. But there's the originalty itn the hieratism of this man eaten by a sense of revenge till the very end...” read more
“(OK) The sobriety, almost hieratism of the count happens after the innocence of the first part, with the boat reaching the port and the happiness of Mr Morel...” read more
“(OK) The best first sound movie ever. Righelli plays with sound as if it always been there, in the first scenes with the group of friends, the scenes seen by the window...” read more