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“(OK) The mixture of vampire and western is 50/50 and is ok. Michael pate is an ugly and sexy and strange vampyr...” read more
“(OK) Chaine is disorderly choral, but never forgets his young histrionic hero in the chaos of a country that fears a nazi invation when its already invaded by british” read more
“(OK) Master De Mille at ease in a austere prison reformatory as in his epics. The fight in the beginning, with the mortal fall of the girl is a Hithcock anticipation. Religion and faith is there in such a minimal and pagan form...” read more
“(OK) This and mexican "La mujer del puerto" has the poetry and longuinn love drama of women lookinf for evasive imposible men that stands just one or 2 days for them...” read more
“(OK) Rare, bizarre, great Paul Meurisse is a pre nouevelle vague bondian private detective in a standar plot, but strange things are happening in the frame, in the scene...” read more
“(OK) Original the first part with the school of thieves, and Darrieux in it. Then is a well directed romantic comedy...” read more
“(OK) Better movie than plot (too poor for being the only Raymond Chandler screenplay), but the match Veronica Ladd is ok and Bendix composes a moving veteran...” read more
have watched
7/10
have watched
6/10
have watched
8/10
have watched
6/10
have watched
7/10
“(OK) Melvin Frank was pretty funnier before; here has spicy dialogues, some funny moments in Torremolinos...” read more
“(OK) Some isolated pieces of real talent, Ferrer a complex hero fighting even the queen while romancing af if he was resistance man...” read more
“(YT) Rare interesting story of two (de)generation og fahter and son coming to the city and getting involved in a hospital mafia...pretty boy arribist without a cause, seduced by a nurse and his boss...” read more
“(OK) As delicate as Jill Clayburg, such vulnerable lady. Bergen is the bitchy one, the selfish who dares to sing wih his own voipp” read more
“(OK) Wonderful, Gremillon consructs slowly but consistently the story front the first shot og the orphans singing, as if their parent were in the sky to where Vanel and Renaud want to reach. And they do it, and she became the protagonist of an epic. The last part is a masterpiece...” read more
“(OK) The hero is a selfish bastard and the colaborationist is nice Bourvil; the croos thier paths in a mild funny way till a dramatic end. A provocative look at the war....” read more
have watched
6/10
have watched
6/10
have watched
8/10
have watched
7/10
have watched
7/10
“(OK) Great Bernard, the french 'all quiet on the western front', less elocuente, more cinic and for that reason human. 'Little lambs, where do you go?´shouts a passerbuy soldier to a truch full of other soldiers: 'to the slaughterhouse' answers one of them...” read more
“(OK) Nice soft Quine, with a controlled Holliday and italoamerican clises spread all over, but with a interesting side on domestic construccion plumbing stuff...” read more
“(OK) Tight, pre noir, bitchy Powell little cheap gem. The boss's wife, big character trying to decirve the hero and kill the greedy husband...” read more
“(OK) Such a happy feeling, an odd couple, and then, so naturally, hell is above Diane Court in the shape of his monster nice father. Good Crowe debut...” read more
“(OK) So powerfull, no character but action and edition, and of course the idea that people is character stands out; a film of its time, no doubt, not a year after it was done...” read more
have watched
8/10
have watched
6/10
have watched
6/10
have watched
6/10
“(OK) The absurd of the situation, the contrar of two mediocre fellows and a huge boat chases by a tribe, anchored, are better than the gags (well, the underwater repair of the ship is outstanding)...” read more
“(OK) The structure, a wide range of time in few episodes, huge elipsis, a love story that accompanies the love story of each one with thier wife and husband; is worth everything. Alda and Burstyn more than ok...” read more
“(OK) All the junctions in the accidented chin of marvellous Ava. The ferroviary, the nationwide clash of pacifists and communists trying to receive India from the british nd Cukor directing as if he were an expert in tha field and genre...” read more
“(OK) There's so much production value in costume, set, music, atrezzo... and Zefirelli moves the camera in the moment the plot is weighing...the 'Nana' and the priest makes the drama palatable...” read more
“(OK) Whon can't love this? The characters are coming from everything you could see, including the crusades and its holocaust perpetrated by christians, and are resuming its own timeless legend. Each contact with the nun, each blow in a fight, each scar counts...” read more
“(OK) All began in a italoamerican misunderstanding: that Mangano can dance Mambo. In Lattuada's "Anna" was just a bizarre sequence functional to the star and character, here is lousy. The twists of the character are so unexplained, her perosnal quest so vague...” read more