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“(ok) First of Pialat, naked and cold and impossible to judge childhood. All of that makes it moving, and the realtionship with the old woan, the other extreme, is an important detail...” read more
“(ok) Alexei reaches adulthood with more doubts and depression, ans consciousness, that´s why the bread factory of Semionov is such meaningful. The intent of suicide is as surprising as subtle with the kitty detail...” read more
“(oK) Same quality of the first part, but some contemplative moments added, as navigating the Volga demmands. Grandmother is still there....” read more
“(ok) The intense russians , here's is the primal learning of Alexei, in the home of his first parents, with the wonderful grandmother. Best part: nice Ivan dying woth the cross...” read more
“(OK) The first part is great, iconic for inmigration to the land of liberty, while rocking dreams and miseries in the boat. Then is pure good cafe routine with Charlie and Edna.” read more
“(ok) La migración es una gran narrativa de arrastre, road movie con contenido y fin; aquí se mantiene el interés una vez que pasan la frontera, si hay denuncia es a ambos lados, el clise es uniforme y no mina la película” read more
“(OK) The best of the trilogy. Ante the best of thte 3 stories is the cruise with Kay Walsh, teneder and sad and comic and full of understatement. The firs sketch wth Nigel Patrick as the crooked brother is ok, and the last one with almost tragic Glynis is good but washed up in the happy end” read more
“(OK) First and less interesting of the trilogy. 'Facts of life' is the most tricky with the mischievous but loser Mai Zetterling, The kite is poor, Alien corn has a good hard ending and The colonel's lady is a good picture of a surprised patriarchal society with a poor happy ending” read more
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“(ok) So relaxed that is kind of difficult to see, a recurrent theme in Renoir, of people being surpassed by their affections, and powerfull charaters longing for another kind of live as Marais in the end. And Bergman and Ferrer staging a kiss, love that moment...” read more
“(ok) Vodevil with no visible ambition in the beginning, but adds to a snesible protrait of a cocotte being victim of her frivolity while other characters assuming thier autentic feelings...” read more
“(OK) Some corny moments, but there's the era of the renewal of teaching in a rural school, apprehending life and universe from the little town...” read more
“(OK) Elegant, pauses rythm, long exposure of blood and vomit; perfect locations, pauses acting... sexy moments...” read more
“(OK) Mirande behind Lacombe; all star cast (Rosay dominates even over Morlay), with some good choral scenes, even the films advances in huis clos scenes...” read more
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“(OK) Nothinf til there´s everything in vacation life: season, sun and heat, wind, rejcted love, and the little laughs and nuisances of the day...” read more
“(OK) Honoring its english title. It is bizarre since being located in London with london institutiosn and an all star french cast. Barrault dominates his scenes but Rosay and Simon owns the plot and the house...” read more
“(OK) A little gem. Gilbert is fantastic, he amuses being dirty in every way, ans its always believable. Very mature film, Virgina Bruce is so right demanding Lukas not to be so stiff. Love Baclanova, a pity she has a little filmography” read more
“(OK) Preneorrealist Castellani, apparently dried of passion, but on the contrary, there´s heat inside Marina Berti in alpine winter, becoming a servant to his husband...” read more
“(OK) In soft romantic jealous comedy clue. Murray is motor and soul of the film reaching its peak in a trip to a resort in Manzanillo...” read more
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“(OK) Kurosawa not just invented a world similar to the real poor one, but invented a style not known before in his cinema, the colour (also first time for him) helped to making it more fantastic, as in the secuences of the boy and the imaginary train or the faher and his dying son...” read more
“(OK) Edifying biography og the doctor who invented the stetoscope and modern auscultation. Cloche, soberly, christianly, convinces Pierre Blanchar is ausculting broken souls, woth difficulty to breathe...” read more
“(OK) Oh, spectacular, indicative, moral, agile, wonderful De Mille. The fastuous reconstruccion of Egypt, almost pales before the secuences in the building of the church...” read more
“(OK) Fleming and MGM look is there, and stars too and is really heavy to take Bergman as the prostitute in the beginning. As a frightenes and abused woman, there she is convincing. Tracy is always convincing. The dialogues are better than the washed gestures...” read more