Reviews by fernando

(NX) Yeah, b/w is trendy, but the film has its own paused, serene style. The false white friend is a more reflexive add to de coloured family of the protagonist than a shock. And she is moving....

(Alcazar) Scott ammuses with the cast. All of them, sauf Pacino, has the burden of trying to be italian, that´s a bit annoying. Poduction values, in special set desing and properties of Gucci are excellent (even Mauicio remains as an non explained character, her obsessive wife is more developed, and has Selma Hayek as sidekick)...

(MU) The Sparks and Carax, are a perverted trio in this one. There's a fantastic romantic dimension, nos so classical or vintage in musical cinema standards, going for non typical themes (Annette is a kind of doll, her delivery with a pretty choral song, tha death of Marion in the yacht) ans the tour of Baby Annette that is kind of futuistic dystopia of collective histeria. Before that, the public serves to 'undramatize' proceedings...

(YT) Maybe more enthusiasm than talent, bt there's tue rupture of drama and style, the wild call of the metropolitan street, with all its temptaions and joys, that is appealing, bye kameraschafdt...

(USB) D coming to pieces, before I don' know what happenes to her because Larrain and producers think we all are too informe of her, or part of a fan club of Diana. The caracterization with tics and unsufferable voice...

(OK) Original theme (child of deaf family) but trite narrative. The result is so efficient and appealing, that screenplay and director Helder even relagates romance...

(USB) The one and only champion, but here with a family coda, there's father plan, good sister, relegaes mother, trainers, race, some colectivization not pretentious, of the champion stuff

(USB) 'The mule' is ok because have sme moral comments on time and age and border, bettween; but this is a regression full of clises and corny stuff with idiot mexicans...

(USB) Just part one, with enough time to forget so many tribes and concentrate on Timothée coming of age and surviving in the desert, father dying; Vullenueve reaches some core in the sand

(OK) Great story, noir with social ambition as a plus. Cummins works and Mature, well, his wide back resist critics. Barrymore is convincing even in her caricatural ending...