Reviews by fernando

(OK) Classic early incursion in remembering war films, very russian stuff; but well proyected to the present of the character...

(OK) Straight, fluent, well told false docudramatization of the stata repressing and imprisoning no matter what...

(OK) Chaplin with no Chaplin, but all the resources of language and movies but gags are here. Serene, sober, Menjou is so consistent in his cynicism, and funny when laughing because of Edna throwing her collar...

(OK) Pabst makes some wonders with the camera and the sets and the dialogues and music. Ironically the best song, Mack the knife, is sung in the background. The brude singing is a great moment...

(OK) Just for the impecable production design, the 'skyline' of medieval city with towers, the costumes with silk, the church in winter, the stulized dirt. The saint is nowhere.

(OK) Great early Stahl melodrama, Sullavan's first, in wich all time, lovers (great relationship because Boles doesn´t recognize Sullavan in 3 times he is with her) are surroinded by society and Stahl point her or him with delicacy...

(OK) Minimal, agressive, straight but perverse, fantastic and realistic in the way fantasy is presented. Running for sex in the hot atmosphere is convincing...

(YT) Konchalovsky points what he likes: envy, jealousy, lust for the same wife, and most of all depression and malaise, more than melancholy. The days are similar, with questions with no answer as the one he niece wants to ask he doctor she loves through her young mother in love....The depiction of rain and humidity is trakovskian...

(OK) Alloauche has his own world and even he underlines argelian background, in hi narration in off; his character has his uniques tics. He records hinds films, wonderful character.

(OK) The best of underrated Audry. Atmosphere, choral, double entendre, and audacious in lesbian touch between Olivia and good Feuillere. Simon is the third, her suicide is elyptical...