Reviews by fernando

(OK) Thanks criterion fot the technicolor wonderful copy. Tha fantastic set designs are as touching and (i)realistic than the terrenal ones. The gaze come from heaven being so human. The romance begins in a radio call, but what a call; a man in flames coming to earth and a sensitive operator....

(OK) The best Fuller's war film. Has everything: the momentos of just wondering what day it is, the tragedy and human anecdotes of strength push to limits (the man and his mule), the dilemmas, he observatuos (the soldier walking and jumping through the moles of cement over the bodies)...

(OK) 2 or 3 elongated gags, but one that is a plot and works: the excuse of the death mother in law. Fields as a submissive man is as funny as the subversive character of other films

(OK) The Moart concerto viralized here is more a them of fatality tahn romanticism. Widerberg bets of close ups and gazes, instead of more action and words. The brother is a needed element in a minimalist plot...

(OK) Clouzo goes through war, Paris pos war crime fonds and jewish exodus in Palestine, with a heavy flashback structure...but has a glossy production with two sexy young fellows, Aubry and Auclair and the nocreophile ending that is worth the film

(OK) The efficacity of Gaisnborough melodrama with a bit of adventure and, here, paranoral mystery on Lockwood character. She´s not evil as in similar films, but has a bit of amorality and thirst of revenge mistaken by love that justifies a happy end...

(OK) Algo modesta variación en el filón de Jack el destripador (en versión The lodger), pero ágil en cambio de humores y en juego sexy con Palance. Los números de Constance Smith en el teatro son de veras calentones...

(OK) Swanson is scuh a good comedian in this film that changes of mood many times and always smoothly. The beginning in 'the crowd' in the subway is delicious; then the imtimate, romantic scene in her room, open to the women in other windows...

(OK) A pioneer in the feeling of ETs, economy of language and resources, but there´s nobility in all characters but the prototype of evil scientist...

(OK) More than 'caligrafismo' here: the posesssion, abstract obsession of revenge a past life, exploding in the middle of stiff ceremonies of death. Isa Miranda is excellent, convincing in every scene