Reviews by fernando

The nouvelle vague hated this in spite of jazz and Thelonius Monk, and edition effects. But there's a creative adpatation to the snowy landscape, and hotell and lobbis in a sky resort, until everything precipitates to the previsibel end. Annette is so pretty, Trintignant ok and Moreau with half burned face in the end...

Verneuil at his best, great cast and enough production to make you feel in an international spy complot. Brynner is the best of all, but Lisi bright in her small part

Kerr, blind and romantic, is the light of this half noirish half far east adventure in wihc Ladd used to be involved. The indian aspects are horrible, but here´s some simpel criticism of colinialism

Precious plot that could be vanguardist of identity in the global era, but was in the wave of criticizing the massification and dehumanization of TV and marketing. Anyway, Judy Holliday is an excpecional, marilynesque Cukor invention

In the Shane way, Ladd comes for truouble and gets more helping single Olivia and trying to heal his mute child. The melodrama referencies pushes to a conventional happy ending, but there´s some ranch life and sunsets...

Better than expected, episodic, with plenty of time in home and on earth, good beginning with kids in the submarine and a suspended love/parenthood affair between Wayne and Neal, more important than war and pride...

Just two or three momentos in wich Borzage reminds us he is the director of sublime love stories: Li Hua Li embracing Mature ill in his bed; Mature looking ih his jeep for her; the bombs against a lover, the corpse of his wife and a crying baby...

The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style

The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style

The zeist of a musical and the wit a Billy Wilder's comedy about gansters and good hearted chorus girls, but in a greek island with Noel Coward. Some very good moments, that claimed for technicolor... Brynner is very good in a King and I jazzy style