Reviews by fernando

Ozon is a middle interest filmaker, as here, double or nothing, superficial thriller, a bit troublant, thanks Bisset is there...

Ay Pedro, para sus adentros pero transparente para afuera, la idea de la adicción y la soledad, en estructura de espejo, sin formalismo, sin artilugios, solo algunas licencias narrativas. El hombre viejo es eso, dolor y gloria.

Sebastian del Amo es malo, malo, hasta el ridículo capitaneado por Bárbara Mori como chinita puta buena, pero es ágil y muy bien producido. Damián Alcázar le da dignidad a su papel, Chabelo, Sosa y Derbez puaj.

A bit corny, Eleanor is too clever, Colette is even more clever, they are never wrong, hospitals are too bad,mmmhhh, language in the court is too technical

In the tradition of Pialat and Dumont, but more sentimental and 'a la fois' religious. There´s even a discreet miracle when tha protagonist is saved in the mountain.

Bonita imagen y locaciones, Bardot haciendo sus oportunos y dramáticos strips, Vadim desarrollando un estilo; el plot es lo de menos...

Grieve, boring melodrama, with a vague plot of husband that comes from death, abstract abnegation, old values on men who naturally love war, plastic surgery that chanes all and nothing...

When Otto tried to be a new Wilder or Lubitsch before going right with "Laura". Too stagey. Berle is ok, Bennet is better...

Good first part (realistic in mexican border, and specially the jail), but the affair Borgnine/Katy Jurado is a bit corny, even she is impecable. Interesting Ermhardt and his Sidney Greenstreet look.

When Wellman knows hi is making omething special, and hast o be natural and honest and moving. Each close up or medium shot of a woman is a moving portrait. This film must be used in genre/gender studies...