Reviews by fernando

Jarmush makes the film that has been made by Burton, Carpenter and other, in his own way. Great cast, Driver and Murray as old amd ypung cops, the flavour is the non fantastic details

Romantization of two historic/mythial characters that began, in the conventional plot, as enemies. Bah. Marx has some guts, Engels not too much; the final 'edition sequence' appealing to the writing of the Communist manifesto, is aged.

Just to see and understand why Todd Phillips was the man for "The Jojer". Can't findthe answer in this predictable deliberate calculated macho Las Vegas comedy.

Just wanted to see how eficcient was Todd 'The Joker' Phillips. Mmmhh, some good scripts gags, not too much in the direction or acting, but violent stuff...

To the bone, the final crisis of a nice stubborn idiot father running from society, even when he finds a comunity of nice people. His daughter is the rebellious conscience that wants to stay, and she stays and he respectfully departs

Le Dr Kah amuses in Morocco, the black box is here in Greece, up and down the channel of Corinto. Seberg and Ronet and Bouquet just wander throgh cemeteries. The action scenes are lousy.

Verneuil better tha ever, classic, plays the assault perfectly and ends with the perfect timing, everything in tone, the looks of perplexity and acceptnce of fate.

Good first Pinoteau fil. Gets better when impassible Lino is in outdoors, or in contrast with histrionic Leo Genn.

Great images for the guilotine as french sport. But Pimpernel Howard is a better sport, gay and mannered talking on fashion and mending ties. Wonderful Howard and Nigel Bruce as Prince of Wales

Tongue in cheak early Korda with a romantic final touch. Frivolity acted convincingly by Roland Young just to realiza he is a romantic as Oberon and everybody. The rehearsal has a spirit of simulacre.