Castle Keep review

Surpising waht Pollack,thanks to lancaster presence, could do with a so big budget for an uneasy film like this. 60's wonder and wander. Art, dremas, fantasy (a soldier with a volkswagen in a pond), texts in off about war, big action....

Castle Keep review

Surpising waht Pollack,thanks to lancaster presence, could do with a so big budget for an uneasy film like this. 60's wonder and wander. Art, dremas, fantasy (a soldier with a volkswagen in a pond), texts in off about war, big action....

The Black Shield of Falworth review

Good charming Tony and Janet and Barbara Rush, happy british epic of noble rogues wich are in fact noble, that's the limit of this stories that betrays Ronin Hood spirit

The Fearmakers review

Tourneur just efficient and Dana Andrews cool. A not ambitious film with almosdt academic democrat dialogues on marketing and polls and politics, mmmhhh

The Last Outpost review

Good first part, epic and noble and a nice touch by Akim tamiroff; but then, the romance of two friends and Gertrude Michael, is just poor and stereotyped.

The Christmas Tree review

Unusually touching without even depicting the boy pain and illnes, but constructing the bizarre world of 'wild loups' his fahter Holden and good hearted Bpurvil and decoratif but understanding Lisi, build for him.

Fräulein Doktor review

Interesting intrigue, with all the ingredientes (including lesbian sex stuff between Susy and Capucine), and love affair, and good old Kenneth More and Knox; spreading all over the war.

Sign of the Pagan review

Attila, both character and actor Palance, are great, fearfull and feraring of god. Attila is even noble. Sirk can work woth all the clisés of the genre and even that have a complex character haunted by fear of god, death and omens.

Secret People (1952) review

The dilemma's of Cortese are a bit institucionalized by Scotland Yard mmmhhh, before that I prefer her doubting and loving the cuase or the man incarnating the cause, a convincing Reggiani. Audrey is in a parellee world dancin her way to stardom.

The Honey Pot review

In the way of Sleuth, inspired by Ben Johnson play and Venice humid decadence, tipifying vulgar american (Hayward), noble french (Capucine) hollywoodesque also vulgar (Edie), witty young miss marpleish british (Maggie Smith); Mankiewicz is wonderful here. Harrison dancing and stopping to explain Maggie all about time and clocks, are more than you can expect
