Bite the Bullet review

Untamed, unsatisfied Brooks, experimenting with edition, changes of mood and textures, choral protagonism. Bergen and the twist of she racing to free her lover, reinforces the rare romanticism of the story, Johnson's death is superb, and the sweat of horses, a first...

Man of a Thousand Faces review

Cagney is so convinced that he has something in common with best parts of his character, that forgets his shadows. Malone is a good support...

Green Mansions review

Ambitiuous, rare, for Hepburn lovers (in spite of Henry Silva looking sexier than her), Tony lacks some conviction, Lee J. Cobb ok, great landscape

The Children's Hour review

Great in most part of it, just object the last part, in wich teatrical origin is a bit heavy. But, acting and directing is excellent as almost always with Wyler...

Tulsa review

A 50' western with 30's spirit, with modern background, and a bet for harmnoy between il and cattle, balcks and indians, friends and lovers. Hayward is becoming a star...

Deadline - U.S.A. review

Impossible not to stumble with the clisés of witty sardonic journalists,a nd the patriotic democratic stuff. But there´s authentic wit in the proceedings, in spite of happy tricky manicheist end.

The White Buffalo review

A discovery. Western with a snowy fantastic agonic touch and nice support cast, Even Novak is ok, Warden superb and that giant indian...

Blowing Wild review

Good Fregonese. Stanwyck and Quinn are well above cooper and especially her, gives a noirish touch to the oil background.

Lady in Cement (1968) review

Funny wiese cracking dialogues by Tony Rome, Franck is Tommy no doubt, and let's Raquel and huge Dan Blocker steal momentarily the show; not as pop and hip as "In Flint", Douglas wants some shades...

Bright Leaf review

Tobacco melodrama. Curtiz trying to place some shady aspects but Cooper doesn't help too much. Neal sure does and even Crisp and Carson and Jeff Corey helps. Bacall is so mature already...
