Reviews by fernando

Tiny danish film, seems like a B Hollywood police office, just with an anguisehd ex policeman facing a case by phone...

Too stereotyped and corny, in the reivindicative action, for a McQueen film. Heroine Viola and the other widows phhfff.Not even Duvall, abused by Farrell and bad dialogues, is ok.

This time, I accept, I liked what I accept, I follow each episode, incidetn or piece od assasination as art. The descent to hell, guided by Bruno Ganz is absolutely necessary...

Tiene su mundo Duprat, argentino y muy suyo, artistas más mierderos de lo que proyectan, te burlas con ellos o se burlan de ti, en una narrativa fluida y convencional, va bien...

Más cariño que morbo por el par central, y su aventura subversiva y legendaria, alimentada por una ensalada nacionalista. Queda como subtexto, (no pudo o no quzo más la pela), la historia de amistad/amor del par protagónico...

Surprise ignored by Hollywood even Joachim and Gyllenhall are ok, but better is Reilly, the good bro just wanting to get back to home and ma. There´s another wonderful plot, the frustrated love story between Morris/Gyllenhall and Ahmed...

Van Gogh's creative almost saint Madness revisited, in dense dialogues and close ups. Dafoe is convincing and has strong pieces of dialogues with everybody, includin dear dear bro Theo.

More productios design than film. Too many explanation sequences of Marvel Wakanda universe; but the mise en scene of marvel afroamerican new stereotypes, the duels in the falls, are worth seeing

Nice idea the nazi occupation story, a universal theme, with a contemporary Marseille location background.

Just for the idea of sound as the reason for killings. Could be more radical, without music and avoiding the mother theme, mmmhhh, Here the terror is better than melodrama, reverse situation of this tear's "Hereditary"