Reviews by fernando

So, so light that you forget irons is supposedly dying after a recent heart attack that impede shim to take a flight. An so corny reuniting father and son after whimsical figths. But Irons is so enjoyable molesting women and children...

Bukowski's epic/sordid poem is the best part of a film that advances nothing in trying toundestrand a plague, a little more comprehension, a little more of char in the leading (yeah Chalamet is a pretty boy)...

Forget unfair prizes for Bale, he is just an example of something I like of McKay: an hoinest effort for findinf a just tone, that is composed of many variations and gags, even a false ending or an entire sequence in shakespearian dialogue

Symphaty for the devil Eastwood, old 'inimputable' man. Simple narrative by accumulation of drug passes, Clint breaks bad and soft and crime doesn't pay at the end...

Comparison is obligued. Gaga is the minor voice of all, and the banalization of her talent (in the eyes of his damned husband) is convertig her in an authentic Lady Gaga. At least, I prefer her as an actress with peculiar nose profile.

Effective, but I rather stay in the first half, the tragic family life, the demonic fantasy is too conventional and visual after the splendid Toni Collette acting

Oh Spike, everuthing is a joke or a weird tale, with the impossibel right tone, in american miscegenated history. Comedy eats some meanings, that's the problem...

Really Glenn Close make it watchable and almost believable, a stron woman hiding the fact of being the real Nobel for the sake of.. of what?, marriage?, discrimination?, love to that bastard of Pryce? .....

Good technical work and not just technical work to find the precise 80s patina. The idea of Bob Redford being a bankrobber for the sake of it deserved more images and dialogues

Not conclusive, too comprehensive on Lizzie's character (thats its limit and its interest), the murder is explained just in the middle but all the elements were in the beginning, the miad subplot is weak...