Reviews by fernando

I love it. The formative summer of real breaking but not broken characters, its a classical european tale, chejovian or whatever, with a great gay bonus.

Franco has real traces of Wiseau, but has one foot well established on the normal side. The first sequence with him/Wiseau hommaging/mocking Brando screaming ¡Stella! in Streecar named desire, is priceless

La frialdad y adultez de los diálogos libra AZ del sentimentalismo de este filón de missing children. Pero hay otro sentimentalismo, el de los padres afectos a sus libertades, a su derecho a la irresponsabilidad, y el de la madre/abuela amargada.

Pattinson and his character enlightens the entime movie: nothing goes well with him, everybody is seduced by him. The black girl in almost fantastically almost convincingly driven by him with just a kiss.

A bit monotonous in its kmer rouge horror, but ends quite well with the girl measuring her step in the jungle full of mines.

I love it, the farest you can reach now with a genre. This is Rosemary and I walk with a zombi (the other black Kaluuya finds in the reunion) revisited.

So light, so futile, so corny, so ryhtmic and musical and sexy Ansel Elgort; that violence stays in second place.

Period adaptation a bit heavy (as Emma Stone wig), but a good story on genres and lesbianism, with touches of american 'costumbrismo'.

Im reconciled with Lanthimos. Surreal disabled adolescence, and a conventio nal competitive marriage of doctors and sensational kid Barry Keoghan; I like in spite of the ending.

It goes out of Arronofsky's hands. It begins with a 'Rosemary baby' subtlety pretension and ends as a bad Argento movie. Ed Harris and Pfeiffer are the best of all.