Reviews by fernando

Para la antropologia y la linguística cantinflesca, vale el floro y los argumentos del tinterillo con fuste enfrentado a los bufetes familiares. Garasa, un maestro literalmente. Más barata que otras, los exteriores son pobrísimos y la incursión juvenil también.

Locación cerrada y estupenda, cumbre larga, pero final muy abierto. No hay conclusión sobre la política (Darín es un hijoputa que cierra tratos pensando en él y no en el país o la región?) ni sobre la vida privada (es tan hijoputa que empuja la misteriosa muerte de su yerno?)...

The one and only Huggins film, is worth a second viewing. The bads are heroics and the posse is composed of the bad guys. Well, Lee Marvin is always an exception, and Donna Reed is always a determined girl.

Aldrich play for spectacle, as De Mille, but sexier and with more spaguetti and peplum and sadism. Anouk is lesbian with his eyes; Baker is always with a hard on, Podesta is always willing, Pier Angeli is as handsome as ever

Some good scenes, Villeneuve take the right time, to have good Gosling disucssing love with his artificial mate, with Ford. Chief Wright seems less wiser than Ryan and than the bad ones.

Hmmm, Chadwick is charmless but Dane Dehan is quite charming. One doesn´t believe the story and the characters, quite artificial as the scenes in the tulip market.

What else¡ Every kind and statement on suspense, on psycho for movie dummies and not su dummies, hommage to entertainment even with the black and white restriction, sexy

All characters are good in a way, specially Frankie Avalon and his coutnry rock singing. Clisés in a dignified way, Ladd helps.

Dmytrick exercised his right to make a stinky movie after a brilliant career and a martyrdom in jail against mccarthism. Sexy nazi lousy thriller. Joey Heatherton good dancer,

so tight and tense ans irresistible, in spite of becoming superficial, heroism and fear and stubbroness; but Nolan makes it eloquent