Into the Inferno review

Vulcanoes are the pretext for visiting strange lands and ¡what a breaking documentary¡, even North Korea. Just fot the imagen in that country, the doc is worth seeing and devouring.

Letter from an Unknown Woman review

Ophuls at his best of two worlds. Hollywood straight to the facts storytelling, with european decadence (musical and of manners and honor), and wonderful filming. Jourdan is the real unknown, Fontaine is everything.

La villa del venerdì review

Bolognini begins his decadence with this sexy film of open infidelity made in Italy with englishspeaking actors.

20th Century Women review

Mills tries hard to look natural, testimony a the women's lib generation, selfdestructive vital characters, and a boy surrounded by all that women stuff.

3 notti d'amore review

A deception, even Spaak is radiant. Castellani tires to be comic and dark ans is helped by Salvatori ans sicilian maffiosi clises. Comencini has a one enlarged and simplified idea (she goes fot the priest and becomes nun when he goes for her), and Franco Rossi is a second Risi. Bah

The Arrival review

Good intro with a sense of catastrophe space invaders theriller stuff; but when it comes to the telling of the future and metaphisical stuff, mmmmhhhh.

Fences review

Honestly, I think Wilson is a little overrated. I don't think Denzel is too teathrical, I think the play is too classy even with its deep broken characters.

Trolls review

It has its good moments musical and non musical (the 'schrek girl' lookalike cinderella dreaming with his prince, the quest in the forest) and all the merchandisisn art concept.

Jimmy the Gent review

An interesting racket: expert genealogists that seeks heirs to huge fortunes. Cagney is more incipient than Bette here, and Curtiz doesn't put too much punch this time.

Distant Drums review

The easy grandeur, great guy with hawksian (or walshian, whatever) sense of responsability, semi civilian semi militar, and a different landscape (Florida Everglades) for old Raoul.
