A Monster with a Thousand Heads review
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Thriller antisistema con una protagonista sobregirada pero coherente en su moralidad. El hijo adolescente le hace buen contrapunto con su indolencia, que resulta en sensatez. Lo bueno es que se decanta rápido.
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From Afar review
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Venezuela es solo el perfecto telón de fondo de esta suerte de 'vírgen de los sicarios' donde la fatalidad del cariño de un viejo a un joven es similar, pero acá con ajuste de cuentas.
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Embrace of the Serpent review
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Bella y sincera, la pose queda para las interpretaciones y para algunas líneas muy 'self eco conscious' de los indígenas. El alemán pueblerino y el gringo bostoniano resumen dos enfoques con poca diferencia. El olvido juguetón de Karamakate media estupendo entre ambos.
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Caravan review
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OK adventure melodrama, ambiguous good & evil. Jean Kent as the 'carmaenesque' gypsy is better than Anne Crawford. Granger is looking for Hollywood and he derserves so.
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The Light at the Edge of the World review
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Freaky Verne story. Excellent cast. Duel Douglas vs Brynner pays ok. Eggar goes from innocence to scheme very well.
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Viva review
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Cuba attracts all kind of directors that beleive cubans can be as free as them. Or pose as if they believe so. Lovable main character, elegant gay boy.
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The Innocents review
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Impossible not to succeed with such a great story. Even everyvbody talks in french beinn in Poland, even you miss most of the action, even main character is a little weak, there you have it. The main nun with a sexual disease, praying while she leave a child to die. all the topics and dilemmas on childbirth and abortion and being free are here.
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Louder Than Bombs review
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Ok de and reconstruction of a nontraditionak family where mother (war photgrapher) is the irresponsible and travelling parente. Byrne has to cope with a difficult mama's boy (Devin Druid al good as his elder Jesse Eisenberg).
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The Sea Chase review
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Lana is better than Duke, too american hero to act as a german. The sea motif is ok but direction lacks of other Farrow's narrative sharpness.
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Dangerous review
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Modern in its approach to a liberal professional woman, not in a vamp mood; but conservative if you consider she is a bitch with his men. The beginning and consolidation of Bette´s myth.
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