Reviews by fernando

Uneasy but fluent thanks to good delivery by Leaud and Wiazemsky and Tognazzi. The nazi background and the pig theme, ends ok with tha narration, by Ninetto, of what happened to Leaud.

The song in the beginning expresses the tender, playfull, enjoyable, mystic, franciscan naif, spirit of the film. Toto and Ninetto moving/dancing as sparrows is a must.

The real story in all its triumph enhances the film, if you're used to the uneasiness of french naturalistic movies on antisocial students. Ascaride is ok looking as a natural actress.

Austere Franju, unknown actors, but great story. Great hateful character, the intolerant priest. The middle part, sexuality and fatality, is a bit washed; but priest Huster in the town, praying when heirs fight over their dead aunt, or embracing the statue of the virgin are ok.

Sick film, sick direction; Wheatley erases sexuality and focus on violence even gratuitous. The ending conduces to a big mess instead of a depuration. Weak feminine characters and confusing leading character Laing.

The complexity, too much elements, a huge scheme of emotions and feelings, characters that appear and dissapear, is too much. Narration is lost a little in the process

The complexity, too much elements, a huge scheme of emotions and feelings, characters that appear and dissapear, is too much. Narration is lost a little in the process.

The complexity, too much elements, a huge scheme of emotions and feelings, characters that appear and dissapear, is too much. Narration is lost a little in the process.

Robert E. Sherwood sharp dialogues are fit for Gable, Shearer is such a good misunderstood actress and, the meaningful ending (a problem with the play) loosens its charm.

Furious Walsh, Cagney understands him, Anne Francis sexy pussycat ( a pre Ann Margret) and straifht anti political stuff.