Reviews by fernando

Taylor lousy republican and not so lousy actor in this idiotic ideologic plot of commies in England. Taylor forced to be childish half the film, intelligent the other half.

Some nice touches and sparkling remarks by Tomlin. Well structured in one day with an abortion involved and done. Maturity.

Ánuthing with Minnelli, Taylor and Burton has to be powerfull and elegant. Even this drama of naif beatnicks (Bronson a beatnick!!) and overconscious reverend Burton. He might well be continued in Huston's "Night of the iguana".

As Vanessa dances herself all through the film, there´s no the glory of dnace; but extravagance and revolutionary elan is quite in Moscoy and USA. Paris, England and Blue Coast is ligthness paving its way to tragedy.

A rediscovery. Audacious but not scandalizing Aldrich on lesbian intrigue. Beryl is a great character and her swashbuckling dialogues with Coral Browne nad her colleagues are excellent. Aldrich is amused.

Villeneuve is way ahead of the tired screenplay about who is riogth who is wrong in the figth against narcos. Emily acts as an idiot. Never understands what is all about. But I like the 'personification' of Ciudad Juarez 'the beast', and Del Toro is ok.

A minor exercise and a major Berlin bear. When I see Panahi fightinng against iranian soft religious censorship with humor I remember cuban comedies of the 80s.

It's exasperating the never beginning event structure, where everything demmands Jobs' response as a father and human being.

Herzog doing desert torurism from Petra to Morocco. Not even episodic, just and accumation of Kidman doing the desert and chatting with people as T.E Lawrence.

Complete official account of Malala's political fighting; with intimate vision on her family. Ok for everybody including Malala herself.