Reviews by fernando

All the elements to make your own judgment on Knox's guilt; but lacks of -at least- a resume of the facts and lies we knox she is really guilty of. Americans are too protective with her jewells abroad?

Subtle idea for a doccumentary: why a young innocent lampedusian boy is anguished, without knowing, with the refugees crisis.

Good paced, nightmarish but quiet story of guilt more than pity before a resentful wife. McConnaughey ok, better than use of location.2

Baroque in themes (gigolo, romane, fascism, crisis) but not in style. Dietrich is more respectful than moving, Bowing is learning, Rome is excellent, Novak amuses herself, Maria Schell ok.

Simple, straightforward, rude, softporn, nunxploitation, good location. Best of all the sadomasoquist stuff between nuns. Spaak kissing the floor, good moment

There´s a peculiar she and a generic she (la somme de toutes les vulnerabilités d'une femme avec pouvoir) in this ambitious thriller. Huppert is convincing because she is a bit 'elle'.

The dog work, or the dog training by humans is the best of the film. I don't like the manipulative, pretentious, 'it's the dog's feeling' suppositions.

Xavier and his unnerdy, prolific, avoiding stylization, not too efectist this time, not too naturalistic, kind of elyptical approach to a good story of gay love and rural prejudice.

(Lucky it comes in the smae edition of "Le planet sauvage"). More than in 'Le planet', Laloux stops to astonished before Topor's images; even the plot of inasion of giant snails is very cinetic.

Problems with rythm and animation itself, but Topor's images and imaginerie is just great. He anticipates Moebious and Jodorowsky,