Heartbeats review

Love it. Dolan at his most genunie ageless intergeneration no matter sexual preference impossible triangle. The end with Xavier screaming funny too platonic love is great.

The Scarlet Letter (1926) review

Puritanism against love. Sjostrom doesn't need to portrait Gish as a Boston or Salem witch; she is too pure for that. And too dignified when she stand people's judgment and is punished with the A for adulteress.

The War Wagon review

Tongue in old Duke's cheek. Kirk is better since a great introduction as Lomax. Bruce Cabot a good bad guy. Tiomkin's score and location an Clothier's photo are too much for Burt Kennedy's unispired direction.

Spies review

Great Lang, inventing, amusing, dramatizing and romanticizing whrn he can or he must. The japanese deceived stuff is excellent to proof that is possible a romance between other too spies.

The Night Affair review

Descubro tarde a Grangier. Audiard le sirve la mesa en diálogos de los que hay bastante buenos para perdonar los obvios y malos. Con Gabin se entiende de maravilla y Tiller esta estupenda confundiendo a todos, empezando por Gabin.

The Guns of Navarone review

Enjoy cast and production values and a very effective bot not brilliant plot hunged over a sharp cliff with a mouth and two iconic cannons. Some hard stereotypes you can forgive (hot tempered greeks Papas and Darren, btucher becomes coward and then butcher Stanley Baker, easygoing Niven faced by Peck with taking decisions) becuase they weren't too exploited then.

Battle of Britain review

Enjoy the cast and not too much, because every air battle seems alike, and it's difficult even to point germans or british or polish, czech, etc. Some funny vignettes os parachuters falling in confusing places.

La villa Santo Sospir review

"Soy un profesional que hace un film amateur", voilá, en esa confesión/declaración caben todas las imágenes.

Jean Cocteau: Autobiography of an Unknown Artist review

Sin acercamiento personal a Cocteau, usa entrevistas ajenas y el cm de Cocteua sobre su villa en Santo Sospir. Lomjor es oír a Cocteau hablar de otros, sobretodo de Radiguet que murió a los 20años.

Orpheus review

Los textos, muy en caja, bien puestos en escena, le ganan a las imágenes salvo la slow motion de Marais guiado por Perier. Casares es siempre notable, es una sólida y a la vez frágil muerte. A seguir con la clave explicada en el comienzo, lo que no es muy auspicioso
