Reviews by fernando

Villeneuve is way ahead of the tired screenplay about who is riogth who is wrong in the figth against narcos. Emily acts as an idiot. Never understands what is all about. But I like the 'personification' of Ciudad Juarez 'the beast', and Del Toro is ok.

A minor exercise and a major Berlin bear. When I see Panahi fightinng against iranian soft religious censorship with humor I remember cuban comedies of the 80s.

It's exasperating the never beginning event structure, where everything demmands Jobs' response as a father and human being.

Herzog doing desert torurism from Petra to Morocco. Not even episodic, just and accumation of Kidman doing the desert and chatting with people as T.E Lawrence.

Complete official account of Malala's political fighting; with intimate vision on her family. Ok for everybody including Malala herself.

Sheep and men so intertwinned that they´re the same linneage attacked by a rare virus. Everything is rare in this Iceland.

Lloyd here is as romantic as Chaplin and Keaton sacrificing his small change for a girl. Then, the slapstick over stairs and stage. I like Helen Gilmore, the landlady.

Better than Nelson's overrated "Soldier blue". Sargent Travers is ok dying slowly, Bibi has a decent Hollywood debut, Garner has his moments, and Poitier too light.

Jazzy, classy, noirish, Melville collection of femmes fatales (and lousy actresses, but who cares) and one stupid french diplomat dead.

The cast and Clair's savoir faire, rescue the film from teh schematic plot, full of self conscious and predictable intrigue. Huston and Fitzerald are the best.