Reviews by fernando

The complexity, too much elements, a huge scheme of emotions and feelings, characters that appear and dissapear, is too much. Narration is lost a little in the process

The complexity, too much elements, a huge scheme of emotions and feelings, characters that appear and dissapear, is too much. Narration is lost a little in the process.

The complexity, too much elements, a huge scheme of emotions and feelings, characters that appear and dissapear, is too much. Narration is lost a little in the process.

Robert E. Sherwood sharp dialogues are fit for Gable, Shearer is such a good misunderstood actress and, the meaningful ending (a problem with the play) loosens its charm.

Furious Walsh, Cagney understands him, Anne Francis sexy pussycat ( a pre Ann Margret) and straifht anti political stuff.

Vidor likes to film in nice swiss locations and helping Liz coming to age. But can't convince of passion between Liz and Gassman and father Calhern swallowing it.

The closest to a good british western, with a bigger than life evil character kind of redeemed in her love to Mason. Great Lockwood and big silly Rennie falling for her.

Nice Nelson in its honest limits. Good ol' Glenn in a moral friendly quest on Rod Taylor, guiden by Nancy Kwan.

Don't ask more from Tornatore. Love story with an unnatural clinch that is not mere romanticism. Irons is above age and limits, is always convincing. Kurylenko´s job is Tornatore's look at hOllywood. Borgo Ventoso (in a lake near Milano) is apalling.

Light Becker, but has is charm in Vernon's determination of being selflessly independent, in Gelin's romantic rudeness, in Servais bisexual savoir faire.