Reviews by fernando

Good directorial moments with the masses and the cannon as a character; but clichés are so corny, so disbalanced, so reducing. Kramer has to admit that he betrayed theme, and locations.

Tableau vivant, king is dying, long dies the king. Cmaera is always in some uneasy but perfect place to view it all, with intimacy, respect, no hate no false admiration to royalty. Serra, a filmmaker to follow.

Logan without music, but some rythm in acting and moods in same locatios as "South Pacific". He experiments with Walker JRnaif straight nervous everything in this charming young man.

Tim Matheson and the Reagan woman playing Nancy (are they relatives?) are passable; but dramaturgy is house of cardesque. Mmmmhhh

Even the solidariy and political Loach statement is obvious, you're moved till the end, when Daniel fights the system even when it has good faces (he is offered empoleyment when he ask for it but don't need it), when he is helped and understood but it's too late.

Minor Dieterle, a horse and a boy instead of great men and women, and a lousy happy end. Al least he has a noble with noirish undertones Holden, and grey detail of the horsetracks world.

In any other hands, would've be a poor tender comedy centered on a camera burglar child. Minnelli makes the diference, playing with the false insecurity of Stella Stevens, making Ford and Jones fight and love.

I'm fan of Duvivier. He doesn´'t excel here but he amuses with Delon and Darrieuz playing incestuously, with suicidal criminal Aznavour, with wonderful Presle, what else to ask?

Iggy explains himself, thanks to Jarmush, in a simple way, and its clear to me how influenced by pop culture, and not just political ideas (they are form communist Ann Arbor university of Michigan), are the rock punk stars.

I think Herzog made this just to film in a wonderful part of the earth he hasn't filmed yet (salar de Uyuni), and that's the only reason to see this. Gael is wasted in a insignificant part, and the eco anti corporative thriller is pure stereotype.