The Greatest Show on Earth (1952) review

De Mille reflects -in his non theroical antireflexive way- on why mvoies are not in a way and yes they are in a way, a 3 ring circus.

Tunes of Glory (1960) review

Impeccable dialogue, acting tour de force, twisted emotions with characters always feeling guilty and unsecure after their outburts, unpredictability. A personal rediscoyery.

The Clockmaker of St. Paul review

Tavernier goes firmly and secure (Simenon moral thriller) but not too ambitious in his first film. Lyon has a forced character on its own.

Okja review

3 stars just for wierdness, becuase characters are uniformly too stupid and stereotyped. The Mirando/Monsanto stuff versus animalists/white terrorists is good stuff.

In Old Arizona review

The early sound provides interesting realism, sexy pre code, above the machista plot. Poor Dorothy Burgess, betraying Baxter

Soldier of Fortune review

Chemistry between Gable and Hayward, trying to get her the hard way, but taking some confidence in the proceedings.

T2 Trainspotting review

If I wasn't conquered but the original; forget this glamorization fashionalization of ex yonkis trying to build start ups (that's not even the conscious plot) in Scotland...

Logan review

Like the shades of the character, the effort of Paul Stewart of feeling at home. Obvious but effective.

I Am Not Your Negro review

To dependant on Baldwin words and movies selected, is an illustrated, a bit repetitive essay on Baldwin's for moments provocative point of view. Peck sobbordinates film and images to Baldwin...

Beauty and the Beast review

Disney can bet in having a good obedient personal author as Condon, doing what he pretends is ok with a classic; buy the charm is in the animates details where the big team makes some little wonders...
