Reviews by fernando

Brumosa, tras el luminoso comienzo en la estupenda locación del pueblo costero blanco. Llena de falsas impresiones: no es film de niños. no es realismo, nos es fantasí pura, no se sabe si son sueños, el ritmo no va la contemplación, con la angustia.

Good questions by kind of simple philosopher Herzog for the right interviewed characters. A bit tremendous anti internet, but it has some well defines chapters.

A pre Obama film in a post Obama era. Maybe, that makes sense. Washed up, well narrated (I like, for a change, strict classical linnear continuity with well calculated plantings), with quite a few strong moments (Mary running from the bathroom, Kevin destroying the isolated bathroom).

Muchas vueltas para dejar en claro que Cassel es tan irresponsable como Bercot una imbécil masoquista. Buenos actores para hacer creibles personajes tan desfasados.

Versión frívola, de duración injustificable, del naturalismo francés sobre jóvenes desbordados. Sasha Lane es insoprotable y sus aventuras faltas del realismo que pretende la cámara.

Tom Ford and great cast makes this cobfusing thriller flow. The rural noir stuff is ok thanks to Gyllenhaal nerves, Shannon southern ruggedness and 'cold blood' psychos.

Recife es un mundo aparte en Brasil, un Rio acotado, con supropia historia paralela a la historia del Brasil. El cáncer de Sonia (está excelente) la marca como resistente y como egoista. Es un ser contradictorio a pesar de que al final hace el gesto heroico contra la gran empresa.

Shadows of Greyesque stuff in Las Vegas with Shannon as a passionate chef, Nyqvist as the perverse elegant french. Imogen Poots is one of those undistinguished beauties.

The promise of a good thriller is blurred by a psycho alcoholic patetic character. But Emily Blunt dignifies her.

In episodic films the first and the last stories are the best. No exception in this film. Women are discriminated or at least misunderstood, in subtle ways, even between theirselves as the teacher and the cowgirl.